The Financier

Chapter XVIII

The seeds of change—subtle, metaphysical—are rooted deeply. From the first mention of the dance by Mrs. Cowperwood and Anna, Aileen had been conscious of a desire toward a more effective presentation of herself than as yet, for all her father’s money, she had been able to achieve. The company which she was to encounter, as she well knew, was to be so much more impressive, distinguished than anything she had heretofore known socially. Then, too, Cowperwood appeared as something more definite in her mind than he had been before, and to save herself she could not get him out of her consciousness.

A vision of him had come to her but an hour before as she was dressing. In a way she had dressed for him. She was never forgetful of the times he had looked at her in an interested way. He had commented on her hands once. To-day he had said that she looked “stunning,” and she had thought how easy it would be to impress him to-night—to show him how truly beautiful she was.

She had stood before her mirror between eight and nine—it was nine-fifteen before she was really ready—and pondered over what she should wear. There were two tall pier-glasses in her wardrobe—an unduly large piece of furniture—and one in her closet door. She stood before the latter, looking at her bare arms and shoulders, her shapely figure, thinking of the fact that her left shoulder had a dimple, and that she had selected garnet garters decorated with heart-shaped silver buckles. The corset could not be made quite tight enough at first, and she chided her maid, Kathleen Kelly. She studied how to arrange her hair, and there was much ado about that before it was finally adjusted. She penciled her eyebrows and plucked at the hair about her forehead to make it loose and shadowy. She cut black court-plaster with her nail-shears and tried different-sized pieces in different places. Finally, she found one size and one place that suited her. She turned her head from side to side, looking at the combined effect of her hair, her penciled brows, her dimpled shoulder, and the black beauty-spot. If some one man could see her as she was now, some time! Which man? That thought scurried back like a frightened rat into its hole. She was, for all her strength, afraid of the thought of the one—the very deadly—the man.

And then she came to the matter of a train-gown. Kathleen laid out five, for Aileen had come into the joy and honor of these things recently, and she had, with the permission of her mother and father, indulged herself to the full. She studied a golden-yellow silk, with cream-lace shoulder-straps, and some gussets of garnet beads in the train that shimmered delightfully, but set it aside. She considered favorably a black-and-white striped silk of odd gray effect, and, though she was sorely tempted to wear it, finally let it go. There was a maroon dress, with basque and overskirt over white silk; a rich cream-colored satin; and then this black sequined gown, which she finally chose. She tried on the cream-colored satin first, however, being in much doubt about it; but her penciled eyes and beauty-spot did not seem to harmonize with it. Then she put on the black silk with its glistening crimsoned-silver sequins, and, lo, it touched her. She liked its coquettish drapery of tulle and silver about the hips. The “overskirt,” which was at that time just coming into fashion, though avoided by the more conservative, had been adopted by Aileen with enthusiasm. She thrilled a little at the rustle of this black dress, and thrust her chin and nose forward to make it set right. Then after having Kathleen tighten her corsets a little more, she gathered the train over her arm by its train-band and looked again. Something was wanting. Oh, yes, her neck! What to wear—red coral? It did not look right. A string of pearls? That would not do either. There was a necklace made of small cameos set in silver which her mother had purchased, and another of diamonds which belonged to her mother, but they were not right. Finally, her jet necklet, which she did not value very highly, came into her mind, and, oh, how lovely it looked! How soft and smooth and glistening her chin looked above it. She caressed her neck affectionately, called for her black lace mantilla, her long, black silk dolman lined with red, and she was ready.

The ball-room, as she entered, was lovely enough. The young men and young women she saw there were interesting, and she was not wanting for admirers. The most aggressive of these youths—the most forceful—recognized in this maiden a fillip to life, a sting to existence. She was as a honey-jar surrounded by too hungry flies.

But it occurred to her, as her dance-list was filling up, that there was not much left for Mr. Cowperwood, if he should care to dance with her.

Cowperwood was meditating, as he received the last of the guests, on the subtlety of this matter of the sex arrangement of life. Two sexes. He was not at all sure that there was any law governing them. By comparison now with Aileen Butler, his wife looked rather dull, quite too old, and when he was ten years older she would look very much older.

“Oh, yes, Ellsworth had made quite an attractive arrangement out of these two houses—better than we ever thought he could do.” He was talking to Henry Hale Sanderson, a young banker. “He had the advantage of combining two into one, and I think he’s done more with my little one, considering the limitations of space, than he has with this big one. Father’s has the advantage of size. I tell the old gentleman he’s simply built a lean-to for me.”

His father and a number of his cronies were over in the dining-room of his grand home, glad to get away from the crowd. He would have to stay, and, besides, he wanted to. Had he better dance with Aileen? His wife cared little for dancing, but he would have to dance with her at least once. There was Mrs. Seneca Davis smiling at him, and Aileen. By George, how wonderful! What a girl!

“I suppose your dance-list is full to overflowing. Let me see.” He was standing before her and she was holding out the little blue-bordered, gold-monogrammed booklet. An orchestra was playing in the music room. The dance would begin shortly. There were delicately constructed, gold-tinted chairs about the walls and behind palms.

He looked down into her eyes—those excited, life-loving, eager eyes.

“You’re quite full up. Let me see. Nine, ten, eleven. Well, that will be enough. I don’t suppose I shall want to dance very much. It’s nice to be popular.”

“I’m not sure about number three. I think that’s a mistake. You might have that if you wish.”

She was falsifying.

“It doesn’t matter so much about him, does it?”

His cheeks flushed a little as he said this.

“No.”

Her own flamed.

“Well, I’ll see where you are when it’s called. You’re darling. I’m afraid of you.” He shot a level, interpretive glance into her eyes, then left. Aileen’s bosom heaved. It was hard to breathe sometimes in this warm air.

While he was dancing first with Mrs. Cowperwood and later with Mrs. Seneca Davis, and still later with Mrs. Martyn Walker, Cowperwood had occasion to look at Aileen often, and each time that he did so there swept over him a sense of great vigor there, of beautiful if raw, dynamic energy that to him was irresistible and especially so to-night. She was so young. She was beautiful, this girl, and in spite of his wife’s repeated derogatory comments he felt that she was nearer to his clear, aggressive, unblinking attitude than any one whom he had yet seen in the form of woman. She was unsophisticated, in a way, that was plain, and yet in another way it would take so little to make her understand so much. Largeness was the sense he had of her—not physically, though she was nearly as tall as himself—but emotionally. She seemed so intensely alive. She passed close to him a number of times, her eyes wide and smiling, her lips parted, her teeth agleam, and he felt a stirring of sympathy and companionship for her which he had not previously experienced. She was lovely, all of her—delightful.

“I’m wondering if that dance is open now,” he said to her as he drew near toward the beginning of the third set. She was seated with her latest admirer in a far corner of the general living-room, a clear floor now waxed to perfection. A few palms here and there made embrasured parapets of green. “I hope you’ll excuse me,” he added, deferentially, to her companion.

“Surely,” the latter replied, rising.

“Yes, indeed,” she replied. “And you’d better stay here with me. It’s going to begin soon. You won’t mind?” she added, giving her companion a radiant smile.

“Not at all. I’ve had a lovely waltz.” He strolled off.

Cowperwood sat down. “That’s young Ledoux, isn’t it? I thought so. I saw you dancing. You like it, don’t you?”

“I’m crazy about it.”

“Well, I can’t say that myself. It’s fascinating, though. Your partner makes such a difference. Mrs. Cowperwood doesn’t like it as much as I do.”

His mention of Lillian made Aileen think of her in a faintly derogative way for a moment.

“I think you dance very well. I watched you, too.” She questioned afterwards whether she should have said this. It sounded most forward now—almost brazen.

“Oh, did you?”

“Yes.”

He was a little keyed up because of her—slightly cloudy in his thoughts—because she was generating a problem in his life, or would if he let her, and so his talk was a little tame. He was thinking of something to say—some words which would bring them a little nearer together. But for the moment he could not. Truth to tell, he wanted to say a great deal.

“Well, that was nice of you,” he added, after a moment. “What made you do it?”

He turned with a mock air of inquiry. The music was beginning again. The dancers were rising. He arose.

He had not intended to give this particular remark a serious turn; but, now that she was so near him, he looked into her eyes steadily but with a soft appeal and said, “Yes, why?”

They had come out from behind the palms. He had put his hand to her waist. His right arm held her left extended arm to arm, palm to palm. Her right hand was on his shoulder, and she was close to him, looking into his eyes. As they began the gay undulations of the waltz she looked away and then down without answering. Her movements were as light and airy as those of a butterfly. He felt a sudden lightness himself, communicated as by an invisible current. He wanted to match the suppleness of her body with his own, and did. Her arms, the flash and glint of the crimson sequins against the smooth, black silk of her closely fitting dress, her neck, her glowing, radiant hair, all combined to provoke a slight intellectual intoxication. She was so vigorously young, so, to him, truly beautiful.

“But you didn’t answer,” he continued.

“Isn’t this lovely music?”

He pressed her fingers.

She lifted shy eyes to him now, for, in spite of her gay, aggressive force, she was afraid of him. His personality was obviously so dominating. Now that he was so close to her, dancing, she conceived of him as something quite wonderful, and yet she experienced a nervous reaction—a momentary desire to run away.

“Very well, if you won’t tell me,” he smiled, mockingly.

He thought she wanted him to talk to her so, to tease her with suggestions of this concealed feeling of his—this strong liking. He wondered what could come of any such understanding as this, anyhow?

“Oh, I just wanted to see how you danced,” she said, tamely, the force of her original feeling having been weakened by a thought of what she was doing. He noted the change and smiled. It was lovely to be dancing with her. He had not thought mere dancing could hold such charm.

“You like me?” he said, suddenly, as the music drew to its close.

She thrilled from head to toe at the question. A piece of ice dropped down her back could not have startled her more. It was apparently tactless, and yet it was anything but tactless. She looked up quickly, directly, but his strong eyes were too much for her.

“Why, yes,” she answered, as the music stopped, trying to keep an even tone to her voice. She was glad they were walking toward a chair.

“I like you so much,” he said, “that I have been wondering if you really like me.” There was an appeal in his voice, soft and gentle. His manner was almost sad.

“Why, yes,” she replied, instantly, returning to her earlier mood toward him. “You know I do.”

“I need some one like you to like me,” he continued, in the same vein. “I need some one like you to talk to. I didn’t think so before—but now I do. You are beautiful—wonderful.”

“We mustn’t,” she said. “I mustn’t. I don’t know what I’m doing.” She looked at a young man strolling toward her, and asked: “I have to explain to him. He’s the one I had this dance with.”

Cowperwood understood. He walked away. He was quite warm and tense now—almost nervous. It was quite clear to him that he had done or was contemplating perhaps a very treacherous thing. Under the current code of society he had no right to do it. It was against the rules, as they were understood by everybody. Her father, for instance—his father—every one in this particular walk of life. However, much breaking of the rules under the surface of things there might be, the rules were still there. As he had heard one young man remark once at school, when some story had been told of a boy leading a girl astray and to a disastrous end, “That isn’t the way at all.”

Still, now that he had said this, strong thoughts of her were in his mind. And despite his involved social and financial position, which he now recalled, it was interesting to him to see how deliberately and even calculatingly—and worse, enthusiastically—he was pumping the bellows that tended only to heighten the flames of his desire for this girl; to feed a fire that might ultimately consume him—and how deliberately and resourcefully!

Aileen toyed aimlessly with her fan as a black-haired, thin-faced young law student talked to her, and seeing Norah in the distance she asked to be allowed to run over to her.

“Oh, Aileen,” called Norah, “I’ve been looking for you everywhere. Where have you been?”

“Dancing, of course. Where do you suppose I’ve been? Didn’t you see me on the floor?”

“No, I didn’t,” complained Norah, as though it were most essential that she should. “How late are you going to stay?”

“Until it’s over, I suppose. I don’t know.”

“Owen says he’s going at twelve.”

“Well, that doesn’t matter. Some one will take me home. Are you having a good time?”

“Fine. Oh, let me tell you. I stepped on a lady’s dress over there, last dance. She was terribly angry. She gave me such a look.”

“Well, never mind, honey. She won’t hurt you. Where are you going now?”

Aileen always maintained a most guardian-like attitude toward her sister.

“I want to find Callum. He has to dance with me next time. I know what he’s trying to do. He’s trying to get away from me. But he won’t.”

Aileen smiled. Norah looked very sweet. And she was so bright. What would she think of her if she knew? She turned back, and her fourth partner sought her. She began talking gayly, for she felt that she had to make a show of composure; but all the while there was ringing in her ears that definite question of his, “You like me, don’t you?” and her later uncertain but not less truthful answer, “Yes, of course I do.”

Chapter XIX

The growth of a passion is a very peculiar thing. In highly organized intellectual and artistic types it is so often apt to begin with keen appreciation of certain qualities, modified by many, many mental reservations. The egoist, the intellectual, gives but little of himself and asks much. Nevertheless, the lover of life, male or female, finding himself or herself in sympathetic accord with such a nature, is apt to gain much.

Cowperwood was innately and primarily an egoist and intellectual, though blended strongly therewith, was a humane and democratic spirit. We think of egoism and intellectualism as closely confined to the arts. Finance is an art. And it presents the operations of the subtlest of the intellectuals and of the egoists. Cowperwood was a financier. Instead of dwelling on the works of nature, its beauty and subtlety, to his material disadvantage, he found a happy mean, owing to the swiftness of his intellectual operations, whereby he could, intellectually and emotionally, rejoice in the beauty of life without interfering with his perpetual material and financial calculations. And when it came to women and morals, which involved so much relating to beauty, happiness, a sense of distinction and variety in living, he was but now beginning to suspect for himself at least that apart from maintaining organized society in its present form there was no basis for this one-life, one-love idea. How had it come about that so many people agreed on this single point, that it was good and necessary to marry one woman and cleave to her until death? He did not know. It was not for him to bother about the subtleties of evolution, which even then was being noised abroad, or to ferret out the curiosities of history in connection with this matter. He had no time. Suffice it that the vagaries of temperament and conditions with which he came into immediate contact proved to him that there was great dissatisfaction with that idea. People did not cleave to each other until death; and in thousands of cases where they did, they did not want to. Quickness of mind, subtlety of idea, fortuitousness of opportunity, made it possible for some people to right their matrimonial and social infelicities; whereas for others, because of dullness of wit, thickness of comprehension, poverty, and lack of charm, there was no escape from the slough of their despond. They were compelled by some devilish accident of birth or lack of force or resourcefulness to stew in their own juice of wretchedness, or to shuffle off this mortal coil—which under other circumstances had such glittering possibilities—via the rope, the knife, the bullet, or the cup of poison.

“I would die, too,” he thought to himself, one day, reading of a man who, confined by disease and poverty, had lived for twelve years alone in a back bedroom attended by an old and probably decrepit housekeeper. A darning-needle forced into his heart had ended his earthly woes. “To the devil with such a life! Why twelve years? Why not at the end of the second or third?”

Again, it was so very evident, in so many ways, that force was the answer—great mental and physical force. Why, these giants of commerce and money could do as they pleased in this life, and did. He had already had ample local evidence of it in more than one direction. Worse—the little guardians of so-called law and morality, the newspapers, the preachers, the police, and the public moralists generally, so loud in their denunciation of evil in humble places, were cowards all when it came to corruption in high ones. They did not dare to utter a feeble squeak until some giant had accidentally fallen and they could do so without danger to themselves. Then, O Heavens, the palaver! What beatings of tom-toms! What mouthings of pharisaical moralities—platitudes! Run now, good people, for you may see clearly how evil is dealt with in high places! It made him smile. Such hypocrisy! Such cant! Still, so the world was organized, and it was not for him to set it right. Let it wag as it would. The thing for him to do was to get rich and hold his own—to build up a seeming of virtue and dignity which would pass muster for the genuine thing. Force would do that. Quickness of wit. And he had these. “I satisfy myself,” was his motto; and it might well have been emblazoned upon any coat of arms which he could have contrived to set forth his claim to intellectual and social nobility.

But this matter of Aileen was up for consideration and solution at this present moment, and because of his forceful, determined character he was presently not at all disturbed by the problem it presented. It was a problem, like some of those knotty financial complications which presented themselves daily; but it was not insoluble. What did he want to do? He couldn’t leave his wife and fly with Aileen, that was certain. He had too many connections. He had too many social, and thinking of his children and parents, emotional as well as financial ties to bind him. Besides, he was not at all sure that he wanted to. He did not intend to leave his growing interests, and at the same time he did not intend to give up Aileen immediately. The unheralded manifestation of interest on her part was too attractive. Mrs. Cowperwood was no longer what she should be physically and mentally, and that in itself to him was sufficient to justify his present interest in this girl. Why fear anything, if only he could figure out a way to achieve it without harm to himself? At the same time he thought it might never be possible for him to figure out any practical or protective program for either himself or Aileen, and that made him silent and reflective. For by now he was intensely drawn to her, as he could feel—something chemic and hence dynamic was uppermost in him now and clamoring for expression.

At the same time, in contemplating his wife in connection with all this, he had many qualms, some emotional, some financial. While she had yielded to his youthful enthusiasm for her after her husband’s death, he had only since learned that she was a natural conservator of public morals—the cold purity of the snowdrift in so far as the world might see, combined at times with the murky mood of the wanton. And yet, as he had also learned, she was ashamed of the passion that at times swept and dominated her. This irritated Cowperwood, as it would always irritate any strong, acquisitive, direct-seeing temperament. While he had no desire to acquaint the whole world with his feelings, why should there be concealment between them, or at least mental evasion of a fact which physically she subscribed to? Why do one thing and think another? To be sure, she was devoted to him in her quiet way, not passionately (as he looked back he could not say that she had ever been that), but intellectually. Duty, as she understood it, played a great part in this. She was dutiful. And then what people thought, what the time-spirit demanded—these were the great things. Aileen, on the contrary, was probably not dutiful, and it was obvious that she had no temperamental connection with current convention. No doubt she had been as well instructed as many another girl, but look at her. She was not obeying her instructions.

In the next three months this relationship took on a more flagrant form. Aileen, knowing full well what her parents would think, how unspeakable in the mind of the current world were the thoughts she was thinking, persisted, nevertheless, in so thinking and longing. Cowperwood, now that she had gone thus far and compromised herself in intention, if not in deed, took on a peculiar charm for her. It was not his body—great passion is never that, exactly. The flavor of his spirit was what attracted and compelled, like the glow of a flame to a moth. There was a light of romance in his eyes, which, however governed and controlled—was directive and almost all-powerful to her.

When he touched her hand at parting, it was as though she had received an electric shock, and she recalled that it was very difficult for her to look directly into his eyes. Something akin to a destructive force seemed to issue from them at times. Other people, men particularly, found it difficult to face Cowperwood’s glazed stare. It was as though there were another pair of eyes behind those they saw, watching through thin, obscuring curtains. You could not tell what he was thinking.

And during the next few months she found herself coming closer and closer to Cowperwood. At his home one evening, seated at the piano, no one else being present at the moment, he leaned over and kissed her. There was a cold, snowy street visible through the interstices of the hangings of the windows, and gas-lamps flickering outside. He had come in early, and hearing Aileen, he came to where she was seated at the piano. She was wearing a rough, gray wool cloth dress, ornately banded with fringed Oriental embroidery in blue and burnt-orange, and her beauty was further enhanced by a gray hat planned to match her dress, with a plume of shaded orange and blue. On her fingers were four or five rings, far too many—an opal, an emerald, a ruby, and a diamond—flashing visibly as she played.

She knew it was he, without turning. He came beside her, and she looked up smiling, the reverie evoked by Schubert partly vanishing—or melting into another mood. Suddenly he bent over and pressed his lips firmly to hers. His mustache thrilled her with its silky touch. She stopped playing and tried to catch her breath, for, strong as she was, it affected her breathing. Her heart was beating like a triphammer. She did not say, “Oh,” or, “You mustn’t,” but rose and walked over to a window, where she lifted a curtain, pretending to look out. She felt as though she might faint, so intensely happy was she.

Cowperwood followed her quickly. Slipping his arms about her waist, he looked at her flushed cheeks, her clear, moist eyes and red mouth.

“You love me?” he whispered, stern and compelling because of his desire.

“Yes! Yes! You know I do.”

He crushed her face to his, and she put up her hands and stroked his hair.

A thrilling sense of possession, mastery, happiness and understanding, love of her and of her body, suddenly overwhelmed him.

“I love you,” he said, as though he were surprised to hear himself say it. “I didn’t think I did, but I do. You’re beautiful. I’m wild about you.”

“And I love you” she answered. “I can’t help it. I know I shouldn’t, but—oh—” Her hands closed tight over his ears and temples. She put her lips to his and dreamed into his eyes. Then she stepped away quickly, looking out into the street, and he walked back into the living-room. They were quite alone. He was debating whether he should risk anything further when Norah, having been in to see Anna next door, appeared and not long afterward Mrs. Cowperwood. Then Aileen and Norah left.

Chapter XX

This definite and final understanding having been reached, it was but natural that this liaison should proceed to a closer and closer relationship. Despite her religious upbringing, Aileen was decidedly a victim of her temperament. Current religious feeling and belief could not control her. For the past nine or ten years there had been slowly forming in her mind a notion of what her lover should be like. He should be strong, handsome, direct, successful, with clear eyes, a ruddy glow of health, and a certain native understanding and sympathy—a love of life which matched her own. Many young men had approached her. Perhaps the nearest realization of her ideal was Father David, of St. Timothy’s, and he was, of course, a priest and sworn to celibacy. No word had ever passed between them but he had been as conscious of her as she of him. Then came Frank Cowperwood, and by degrees, because of his presence and contact, he had been slowly built up in her mind as the ideal person. She was drawn as planets are drawn to their sun.

It is a question as to what would have happened if antagonistic forces could have been introduced just at this time. Emotions and liaisons of this character can, of course, occasionally be broken up and destroyed. The characters of the individuals can be modified or changed to a certain extent, but the force must be quite sufficient. Fear is a great deterrent—fear of material loss where there is no spiritual dread—but wealth and position so often tend to destroy this dread. It is so easy to scheme with means. Aileen had no spiritual dread whatever. Cowperwood was without spiritual or religious feeling. He looked at this girl, and his one thought was how could he so deceive the world that he could enjoy her love and leave his present state undisturbed. Love her he did surely.

Business necessitated his calling at the Butlers’ quite frequently, and on each occasion he saw Aileen. She managed to slip forward and squeeze his hand the first time he came—to steal a quick, vivid kiss; and another time, as he was going out, she suddenly appeared from behind the curtains hanging at the parlor door.

“Honey!”

The voice was soft and coaxing. He turned, giving her a warning nod in the direction of her father’s room upstairs.

She stood there, holding out one hand, and he stepped forward for a second. Instantly her arms were about his neck, as he slipped his about her waist.

“I long to see you so.”

“I, too. I’ll fix some way. I’m thinking.”

He released her arms, and went out, and she ran to the window and looked out after him. He was walking west on the street, for his house was only a few blocks away, and she looked at the breadth of his shoulders, the balance of his form. He stepped so briskly, so incisively. Ah, this was a man! He was her Frank. She thought of him in that light already. Then she sat down at the piano and played pensively until dinner.

And it was so easy for the resourceful mind of Frank Cowperwood, wealthy as he was, to suggest ways and means. In his younger gallivantings about places of ill repute, and his subsequent occasional variations from the straight and narrow path, he had learned much of the curious resources of immorality. Being a city of five hundred thousand and more at this time, Philadelphia had its nondescript hotels, where one might go, cautiously and fairly protected from observation; and there were houses of a conservative, residential character, where appointments might be made, for a consideration. And as for safeguards against the production of new life—they were not mysteries to him any longer. He knew all about them. Care was the point of caution. He had to be cautious, for he was so rapidly coming to be an influential and a distinguished man. Aileen, of course, was not conscious, except in a vague way, of the drift of her passion; the ultimate destiny to which this affection might lead was not clear to her. Her craving was for love—to be fondled and caressed—and she really did not think so much further. Further thoughts along this line were like rats that showed their heads out of dark holes in shadowy corners and scuttled back at the least sound. And, anyhow, all that was to be connected with Cowperwood would be beautiful. She really did not think that he loved her yet as he should; but he would. She did not know that she wanted to interfere with the claims of his wife. She did not think she did. But it would not hurt Mrs. Cowperwood if Frank loved her—Aileen—also.

How shall we explain these subtleties of temperament and desire? Life has to deal with them at every turn. They will not down, and the large, placid movements of nature outside of man’s little organisms would indicate that she is not greatly concerned. We see much punishment in the form of jails, diseases, failures, and wrecks; but we also see that the old tendency is not visibly lessened. Is there no law outside of the subtle will and power of the individual to achieve? If not, it is surely high time that we knew it—one and all. We might then agree to do as we do; but there would be no silly illusion as to divine regulation. Vox populi, vox Dei.

So there were other meetings, lovely hours which they soon began to spend the moment her passion waxed warm enough to assure compliance, without great fear and without thought of the deadly risk involved. From odd moments in his own home, stolen when there was no one about to see, they advanced to clandestine meetings beyond the confines of the city. Cowperwood was not one who was temperamentally inclined to lose his head and neglect his business. As a matter of fact, the more he thought of this rather unexpected affectional development, the more certain he was that he must not let it interfere with his business time and judgment. His office required his full attention from nine until three, anyhow. He could give it until five-thirty with profit; but he could take several afternoons off, from three-thirty until five-thirty or six, and no one would be the wiser. It was customary for Aileen to drive alone almost every afternoon a spirited pair of bays, or to ride a mount, bought by her father for her from a noted horse-dealer in Baltimore. Since Cowperwood also drove and rode, it was not difficult to arrange meeting-places far out on the Wissahickon or the Schuylkill road. There were many spots in the newly laid-out park, which were as free from interruption as the depths of a forest. It was always possible that they might encounter some one; but it was also always possible to make a rather plausible explanation, or none at all, since even in case of such an encounter nothing, ordinarily, would be suspected.

So, for the time being there was love-making, the usual billing and cooing of lovers in a simple and much less than final fashion; and the lovely horseback rides together under the green trees of the approaching spring were idyllic. Cowperwood awakened to a sense of joy in life such as he fancied, in the blush of this new desire, he had never experienced before. Lillian had been lovely in those early days in which he had first called on her in North Front Street, and he had fancied himself unspeakably happy at that time; but that was nearly ten years since, and he had forgotten. Since then he had had no great passion, no notable liaison; and then, all at once, in the midst of his new, great business prosperity, Aileen. Her young body and soul, her passionate illusions. He could see always, for all her daring, that she knew so little of the calculating, brutal world with which he was connected. Her father had given her all the toys she wanted without stint; her mother and brothers had coddled her, particularly her mother. Her young sister thought she was adorable. No one imagined for one moment that Aileen would ever do anything wrong. She was too sensible, after all, too eager to get up in the world. Why should she, when her life lay open and happy before her—a delightful love-match, some day soon, with some very eligible and satisfactory lover?

“When you marry, Aileen,” her mother used to say to her, “we’ll have a grand time here. Sure we’ll do the house over then, if we don’t do it before. Eddie will have to fix it up, or I’ll do it meself. Never fear.”

“Yes—well, I’d rather you’d fix it now,” was her reply.

Butler himself used to strike her jovially on the shoulder in a rough, loving way, and ask, “Well, have you found him yet?” or “Is he hanging around the outside watchin’ for ye?”

If she said, “No,” he would reply: “Well, he will be, never fear—worse luck. I’ll hate to see ye go, girlie! You can stay here as long as ye want to, and ye want to remember that you can always come back.”

Aileen paid very little attention to this bantering. She loved her father, but it was all such a matter of course. It was the commonplace of her existence, and not so very significant, though delightful enough.

But how eagerly she yielded herself to Cowperwood under the spring trees these days! She had no sense of that ultimate yielding that was coming, for now he merely caressed and talked to her. He was a little doubtful about himself. His growing liberties for himself seemed natural enough, but in a sense of fairness to her he began to talk to her about what their love might involve. Would she? Did she understand? This phase of it puzzled and frightened Aileen a little at first. She stood before him one afternoon in her black riding-habit and high silk riding-hat perched jauntily on her red-gold hair; and striking her riding-skirt with her short whip, pondering doubtfully as she listened. He had asked her whether she knew what she was doing? Whither they were drifting? If she loved him truly enough? The two horses were tethered in a thicket a score of yards away from the main road and from the bank of a tumbling stream, which they had approached. She was trying to discover if she could see them. It was pretense. There was no interest in her glance. She was thinking of him and the smartness of his habit, and the exquisiteness of this moment. He had such a charming calico pony. The leaves were just enough developed to make a diaphanous lacework of green. It was like looking through a green-spangled arras to peer into the woods beyond or behind. The gray stones were already faintly messy where the water rippled and sparkled, and early birds were calling—robins and blackbirds and wrens.

“Baby mine,” he said, “do you understand all about this? Do you know exactly what you’re doing when you come with me this way?”

“I think I do.”

She struck her boot and looked at the ground, and then up through the trees at the blue sky.

“Look at me, honey.”

“I don’t want to.”

“But look at me, sweet. I want to ask you something.”

“Don’t make me, Frank, please. I can’t.”

“Oh yes, you can look at me.”

“No.”

She backed away as he took her hands, but came forward again, easily enough.

“Now look in my eyes.”

“I can’t.”

“See here.”

“I can’t. Don’t ask me. I’ll answer you, but don’t make me look at you.”

His hand stole to her cheek and fondled it. He petted her shoulder, and she leaned her head against him.

“Sweet, you’re so beautiful,” he said finally, “I can’t give you up. I know what I ought to do. You know, too, I suppose; but I can’t. I must have you. If this should end in exposure, it would be quite bad for you and me. Do you understand?”

“Yes.”

“I don’t know your brothers very well; but from looking at them I judge they’re pretty determined people. They think a great deal of you.”

“Indeed, they do.” Her vanity prinked slightly at this.

“They would probably want to kill me, and very promptly, for just this much. What do you think they would want to do if—well, if anything should happen, some time?”

He waited, watching her pretty face.

“But nothing need happen. We needn’t go any further.”

“Aileen!”

“I won’t look at you. You needn’t ask. I can’t.”

“Aileen! Do you mean that?”

“I don’t know. Don’t ask me, Frank.”

“You know it can’t stop this way, don’t you? You know it. This isn’t the end. Now, if—” He explained the whole theory of illicit meetings, calmly, dispassionately. “You are perfectly safe, except for one thing, chance exposure. It might just so happen; and then, of course, there would be a great deal to settle for. Mrs. Cowperwood would never give me a divorce; she has no reason to. If I should clean up in the way I hope to—if I should make a million—I wouldn’t mind knocking off now. I don’t expect to work all my days. I have always planned to knock off at thirty-five. I’ll have enough by that time. Then I want to travel. It will only be a few more years now. If you were free—if your father and mother were dead”—curiously she did not wince at this practical reference—“it would be a different matter.”

He paused. She still gazed thoughtfully at the water below, her mind running out to a yacht on the sea with him, a palace somewhere—just they two. Her eyes, half closed, saw this happy world; and, listening to him, she was fascinated.

“Hanged if I see the way out of this, exactly. But I love you!” He caught her to him. “I love you—love you!”

“Oh, yes,” she replied intensely, “I want you to. I’m not afraid.”

“I’ve taken a house in North Tenth Street,” he said finally, as they walked over to the horses and mounted them. “It isn’t furnished yet; but it will be soon. I know a woman who will take charge.”

“Who is she?”

“An interesting widow of nearly fifty. Very intelligent—she is attractive, and knows a good deal of life. I found her through an advertisement. You might call on her some afternoon when things are arranged, and look the place over. You needn’t meet her except in a casual way. Will you?”

She rode on, thinking, making no reply. He was so direct and practical in his calculations.

“Will you? It will be all right. You might know her. She isn’t objectionable in any way. Will you?”

“Let me know when it is ready,” was all she said finally.