CHAPTER XIII — SORTES SANCTORUM—THE VALENTINE
It was Sunday afternoon in the farmhouse, on the thirteenth of February. Dinner being over, Bathsheba, for want of a better companion, had asked Liddy to come and sit with her. The mouldy pile was dreary in winter-time before the candles were lighted and the shutters closed; the atmosphere of the place seemed as old as the walls; every nook behind the furniture had a temperature of its own, for the fire was not kindled in this part of the house early in the day; and Bathsheba’s new piano, which was an old one in other annals, looked particularly sloping and out of level on the warped floor before night threw a shade over its less prominent angles and hid the unpleasantness. Liddy, like a little brook, though shallow, was always rippling; her presence had not so much weight as to task thought, and yet enough to exercise it.
On the table lay an old quarto Bible, bound in leather. Liddy looking at it said,—
“Did you ever find out, miss, who you are going to marry by means of the Bible and key?”
“Don’t be so foolish, Liddy. As if such things could be.”
“Well, there’s a good deal in it, all the same.”
“Nonsense, child.”
“And it makes your heart beat fearful. Some believe in it; some don’t; I do.”
“Very well, let’s try it,” said Bathsheba, bounding from her seat with that total disregard of consistency which can be indulged in towards a dependent, and entering into the spirit of divination at once. “Go and get the front door key.”
Liddy fetched it. “I wish it wasn’t Sunday,” she said, on returning. “Perhaps ’tis wrong.”
“What’s right week days is right Sundays,” replied her mistress in a tone which was a proof in itself.
The book was opened—the leaves, drab with age, being quite worn away at much-read verses by the forefingers of unpractised readers in former days, where they were moved along under the line as an aid to the vision. The special verse in the Book of Ruth was sought out by Bathsheba, and the sublime words met her eye. They slightly thrilled and abashed her. It was Wisdom in the abstract facing Folly in the concrete. Folly in the concrete blushed, persisted in her intention, and placed the key on the book. A rusty patch immediately upon the verse, caused by previous pressure of an iron substance thereon, told that this was not the first time the old volume had been used for the purpose.
“Now keep steady, and be silent,” said Bathsheba.
The verse was repeated; the book turned round; Bathsheba blushed guiltily.
“Who did you try?” said Liddy curiously.
“I shall not tell you.”
“Did you notice Mr. Boldwood’s doings in church this morning, miss?” Liddy continued, adumbrating by the remark the track her thoughts had taken.
“No, indeed,” said Bathsheba, with serene indifference.
“His pew is exactly opposite yours, miss.”
“I know it.”
“And you did not see his goings on!”
“Certainly I did not, I tell you.”
Liddy assumed a smaller physiognomy, and shut her lips decisively.
This move was unexpected, and proportionately disconcerting. “What did he do?” Bathsheba said perforce.
“Didn’t turn his head to look at you once all the service.”
“Why should he?” again demanded her mistress, wearing a nettled look. “I didn’t ask him to.”
“Oh no. But everybody else was noticing you; and it was odd he didn’t. There, ’tis like him. Rich and gentlemanly, what does he care?”
Bathsheba dropped into a silence intended to express that she had opinions on the matter too abstruse for Liddy’s comprehension, rather than that she had nothing to say.
“Dear me—I had nearly forgotten the valentine I bought yesterday,” she exclaimed at length.
“Valentine! who for, miss?” said Liddy. “Farmer Boldwood?”
It was the single name among all possible wrong ones that just at this moment seemed to Bathsheba more pertinent than the right.
“Well, no. It is only for little Teddy Coggan. I have promised him something, and this will be a pretty surprise for him. Liddy, you may as well bring me my desk and I’ll direct it at once.”
Bathsheba took from her desk a gorgeously illuminated and embossed design in post-octavo, which had been bought on the previous market-day at the chief stationer’s in Casterbridge. In the centre was a small oval enclosure; this was left blank, that the sender might insert tender words more appropriate to the special occasion than any generalities by a printer could possibly be.
“Here’s a place for writing,” said Bathsheba. “What shall I put?”
“Something of this sort, I should think,” returned Liddy promptly:—
“The rose is red, The violet blue, Carnation’s sweet, And so are you.”
“Yes, that shall be it. It just suits itself to a chubby-faced child like him,” said Bathsheba. She inserted the words in a small though legible handwriting; enclosed the sheet in an envelope, and dipped her pen for the direction.
“What fun it would be to send it to the stupid old Boldwood, and how he would wonder!” said the irrepressible Liddy, lifting her eyebrows, and indulging in an awful mirth on the verge of fear as she thought of the moral and social magnitude of the man contemplated.
Bathsheba paused to regard the idea at full length. Boldwood’s had begun to be a troublesome image—a species of Daniel in her kingdom who persisted in kneeling eastward when reason and common sense said that he might just as well follow suit with the rest, and afford her the official glance of admiration which cost nothing at all. She was far from being seriously concerned about his nonconformity. Still, it was faintly depressing that the most dignified and valuable man in the parish should withhold his eyes, and that a girl like Liddy should talk about it. So Liddy’s idea was at first rather harassing than piquant.
“No, I won’t do that. He wouldn’t see any humour in it.”
“He’d worry to death,” said the persistent Liddy.
“Really, I don’t care particularly to send it to Teddy,” remarked her mistress. “He’s rather a naughty child sometimes.”
“Yes—that he is.”
“Let’s toss as men do,” said Bathsheba, idly. “Now then, head, Boldwood; tail, Teddy. No, we won’t toss money on a Sunday, that would be tempting the devil indeed.”
“Toss this hymn-book; there can’t be no sinfulness in that, miss.”
“Very well. Open, Boldwood—shut, Teddy. No; it’s more likely to fall open. Open, Teddy—shut, Boldwood.”
The book went fluttering in the air and came down shut.
Bathsheba, a small yawn upon her mouth, took the pen, and with off-hand serenity directed the missive to Boldwood.
“Now light a candle, Liddy. Which seal shall we use? Here’s a unicorn’s head—there’s nothing in that. What’s this?—two doves—no. It ought to be something extraordinary, ought it not, Liddy? Here’s one with a motto—I remember it is some funny one, but I can’t read it. We’ll try this, and if it doesn’t do we’ll have another.”
A large red seal was duly affixed. Bathsheba looked closely at the hot wax to discover the words.
“Capital!” she exclaimed, throwing down the letter frolicsomely. “’Twould upset the solemnity of a parson and clerke too.”
Liddy looked at the words of the seal, and read—
“MARRY ME.”
The same evening the letter was sent, and was duly sorted in Casterbridge post-office that night, to be returned to Weatherbury again in the morning.
So very idly and unreflectingly was this deed done. Of love as a spectacle Bathsheba had a fair knowledge; but of love subjectively she knew nothing.
CHAPTER XIV — EFFECT OF THE LETTER—SUNRISE
At dusk, on the evening of St. Valentine’s Day, Boldwood sat down to supper as usual, by a beaming fire of aged logs. Upon the mantel-shelf before him was a time-piece, surmounted by a spread eagle, and upon the eagle’s wings was the letter Bathsheba had sent. Here the bachelor’s gaze was continually fastening itself, till the large red seal became as a blot of blood on the retina of his eye; and as he ate and drank he still read in fancy the words thereon, although they were too remote for his sight—
“MARRY ME.”
The pert injunction was like those crystal substances which, colourless themselves, assume the tone of objects about them. Here, in the quiet of Boldwood’s parlour, where everything that was not grave was extraneous, and where the atmosphere was that of a Puritan Sunday lasting all the week, the letter and its dictum changed their tenor from the thoughtlessness of their origin to a deep solemnity, imbibed from their accessories now.
Since the receipt of the missive in the morning, Boldwood had felt the symmetry of his existence to be slowly getting distorted in the direction of an ideal passion. The disturbance was as the first floating weed to Columbus—the contemptibly little suggesting possibilities of the infinitely great.
The letter must have had an origin and a motive. That the latter was of the smallest magnitude compatible with its existence at all, Boldwood, of course, did not know. And such an explanation did not strike him as a possibility even. It is foreign to a mystified condition of mind to realize of the mystifier that the processes of approving a course suggested by circumstance, and of striking out a course from inner impulse, would look the same in the result. The vast difference between starting a train of events, and directing into a particular groove a series already started, is rarely apparent to the person confounded by the issue.
When Boldwood went to bed he placed the valentine in the corner of the looking-glass. He was conscious of its presence, even when his back was turned upon it. It was the first time in Boldwood’s life that such an event had occurred. The same fascination that caused him to think it an act which had a deliberate motive prevented him from regarding it as an impertinence. He looked again at the direction. The mysterious influences of night invested the writing with the presence of the unknown writer. Somebody’s—some _woman’s_—hand had travelled softly over the paper bearing his name; her unrevealed eyes had watched every curve as she formed it; her brain had seen him in imagination the while. Why should she have imagined him? Her mouth—were the lips red or pale, plump or creased?—had curved itself to a certain expression as the pen went on—the corners had moved with all their natural tremulousness: what had been the expression?
The vision of the woman writing, as a supplement to the words written, had no individuality. She was a misty shape, and well she might be, considering that her original was at that moment sound asleep and oblivious of all love and letter-writing under the sky. Whenever Boldwood dozed she took a form, and comparatively ceased to be a vision: when he awoke there was the letter justifying the dream.
The moon shone to-night, and its light was not of a customary kind. His window admitted only a reflection of its rays, and the pale sheen had that reversed direction which snow gives, coming upward and lighting up his ceiling in an unnatural way, casting shadows in strange places, and putting lights where shadows had used to be.
The substance of the epistle had occupied him but little in comparison with the fact of its arrival. He suddenly wondered if anything more might be found in the envelope than what he had withdrawn. He jumped out of bed in the weird light, took the letter, pulled out the flimsy sheet, shook the envelope—searched it. Nothing more was there. Boldwood looked, as he had a hundred times the preceding day, at the insistent red seal: “Marry me,” he said aloud.
The solemn and reserved yeoman again closed the letter, and stuck it in the frame of the glass. In doing so he caught sight of his reflected features, wan in expression, and insubstantial in form. He saw how closely compressed was his mouth, and that his eyes were wide-spread and vacant. Feeling uneasy and dissatisfied with himself for this nervous excitability, he returned to bed.
Then the dawn drew on. The full power of the clear heaven was not equal to that of a cloudy sky at noon, when Boldwood arose and dressed himself. He descended the stairs and went out towards the gate of a field to the east, leaning over which he paused and looked around.
It was one of the usual slow sunrises of this time of the year, and the sky, pure violet in the zenith, was leaden to the northward, and murky to the east, where, over the snowy down or ewe-lease on Weatherbury Upper Farm, and apparently resting upon the ridge, the only half of the sun yet visible burnt rayless, like a red and flameless fire shining over a white hearthstone. The whole effect resembled a sunset as childhood resembles age.
In other directions, the fields and sky were so much of one colour by the snow, that it was difficult in a hasty glance to tell whereabouts the horizon occurred; and in general there was here, too, that before-mentioned preternatural inversion of light and shade which attends the prospect when the garish brightness commonly in the sky is found on the earth, and the shades of earth are in the sky. Over the west hung the wasting moon, now dull and greenish-yellow, like tarnished brass.
Boldwood was listlessly noting how the frost had hardened and glazed the surface of the snow, till it shone in the red eastern light with the polish of marble; how, in some portions of the slope, withered grass-bents, encased in icicles, bristled through the smooth wan coverlet in the twisted and curved shapes of old Venetian glass; and how the footprints of a few birds, which had hopped over the snow whilst it lay in the state of a soft fleece, were now frozen to a short permanency. A half-muffled noise of light wheels interrupted him. Boldwood turned back into the road. It was the mail-cart—a crazy, two-wheeled vehicle, hardly heavy enough to resist a puff of wind. The driver held out a letter. Boldwood seized it and opened it, expecting another anonymous one—so greatly are people’s ideas of probability a mere sense that precedent will repeat itself.
“I don’t think it is for you, sir,” said the man, when he saw Boldwood’s action. “Though there is no name, I think it is for your shepherd.”
Boldwood looked then at the address—
To the New Shepherd, Weatherbury Farm, Near Casterbridge
“Oh—what a mistake!—it is not mine. Nor is it for my shepherd. It is for Miss Everdene’s. You had better take it on to him—Gabriel Oak—and say I opened it in mistake.”
At this moment, on the ridge, up against the blazing sky, a figure was visible, like the black snuff in the midst of a candle-flame. Then it moved and began to bustle about vigorously from place to place, carrying square skeleton masses, which were riddled by the same rays. A small figure on all fours followed behind. The tall form was that of Gabriel Oak; the small one that of George; the articles in course of transit were hurdles.
“Wait,” said Boldwood. “That’s the man on the hill. I’ll take the letter to him myself.”
To Boldwood it was now no longer merely a letter to another man. It was an opportunity. Exhibiting a face pregnant with intention, he entered the snowy field.
Gabriel, at that minute, descended the hill towards the right. The glow stretched down in this direction now, and touched the distant roof of Warren’s Malthouse—whither the shepherd was apparently bent: Boldwood followed at a distance.
CHAPTER XV — A MORNING MEETING—THE LETTER AGAIN
The scarlet and orange light outside the malthouse did not penetrate to its interior, which was, as usual, lighted by a rival glow of similar hue, radiating from the hearth.
The maltster, after having lain down in his clothes for a few hours, was now sitting beside a three-legged table, breakfasting off bread and bacon. This was eaten on the plateless system, which is performed by placing a slice of bread upon the table, the meat flat upon the bread, a mustard plaster upon the meat, and a pinch of salt upon the whole, then cutting them vertically downwards with a large pocket-knife till wood is reached, when the severed lump is impaled on the knife, elevated, and sent the proper way of food.
The maltster’s lack of teeth appeared not to sensibly diminish his powers as a mill. He had been without them for so many years that toothlessness was felt less to be a defect than hard gums an acquisition. Indeed, he seemed to approach the grave as a hyperbolic curve approaches a straight line—less directly as he got nearer, till it was doubtful if he would ever reach it at all.
In the ashpit was a heap of potatoes roasting, and a boiling pipkin of charred bread, called “coffee”, for the benefit of whomsoever should call, for Warren’s was a sort of clubhouse, used as an alternative to the inn.
“I say, says I, we get a fine day, and then down comes a snapper at night,” was a remark now suddenly heard spreading into the malthouse from the door, which had been opened the previous moment. The form of Henery Fray advanced to the fire, stamping the snow from his boots when about half-way there. The speech and entry had not seemed to be at all an abrupt beginning to the maltster, introductory matter being often omitted in this neighbourhood, both from word and deed, and the maltster having the same latitude allowed him, did not hurry to reply. He picked up a fragment of cheese, by pecking upon it with his knife, as a butcher picks up skewers.
Henery appeared in a drab kerseymere great-coat, buttoned over his smock-frock, the white skirts of the latter being visible to the distance of about a foot below the coat-tails, which, when you got used to the style of dress, looked natural enough, and even ornamental—it certainly was comfortable.
Matthew Moon, Joseph Poorgrass, and other carters and waggoners followed at his heels, with great lanterns dangling from their hands, which showed that they had just come from the cart-horse stables, where they had been busily engaged since four o’clock that morning.
“And how is she getting on without a baily?” the maltster inquired. Henery shook his head, and smiled one of the bitter smiles, dragging all the flesh of his forehead into a corrugated heap in the centre.
“She’ll rue it—surely, surely!” he said. “Benjy Pennyways were not a true man or an honest baily—as big a betrayer as Judas Iscariot himself. But to think she can carr’ on alone!” He allowed his head to swing laterally three or four times in silence. “Never in all my creeping up—never!”
This was recognized by all as the conclusion of some gloomy speech which had been expressed in thought alone during the shake of the head; Henery meanwhile retained several marks of despair upon his face, to imply that they would be required for use again directly he should go on speaking.
“All will be ruined, and ourselves too, or there’s no meat in gentlemen’s houses!” said Mark Clark.
“A headstrong maid, that’s what she is—and won’t listen to no advice at all. Pride and vanity have ruined many a cobbler’s dog. Dear, dear, when I think o’ it, I sorrows like a man in travel!”
“True, Henery, you do, I’ve heard ye,” said Joseph Poorgrass in a voice of thorough attestation, and with a wire-drawn smile of misery.
“’Twould do a martel man no harm to have what’s under her bonnet,” said Billy Smallbury, who had just entered, bearing his one tooth before him. “She can spaik real language, and must have some sense somewhere. Do ye foller me?”
“I do, I do; but no baily—I deserved that place,” wailed Henery, signifying wasted genius by gazing blankly at visions of a high destiny apparently visible to him on Billy Smallbury’s smock-frock. “There, ’twas to be, I suppose. Your lot is your lot, and Scripture is nothing; for if you do good you don’t get rewarded according to your works, but be cheated in some mean way out of your recompense.”
“No, no; I don’t agree with’ee there,” said Mark Clark. “God’s a perfect gentleman in that respect.”
“Good works good pay, so to speak it,” attested Joseph Poorgrass.
A short pause ensued, and as a sort of _entr’acte_ Henery turned and blew out the lanterns, which the increase of daylight rendered no longer necessary even in the malthouse, with its one pane of glass.
“I wonder what a farmer-woman can want with a harpsichord, dulcimer, pianner, or whatever ’tis they d’call it?” said the maltster. “Liddy saith she’ve a new one.”
“Got a pianner?”
“Ay. Seems her old uncle’s things were not good enough for her. She’ve bought all but everything new. There’s heavy chairs for the stout, weak and wiry ones for the slender; great watches, getting on to the size of clocks, to stand upon the chimbley-piece.”
“Pictures, for the most part wonderful frames.”
“And long horse-hair settles for the drunk, with horse-hair pillows at each end,” said Mr. Clark. “Likewise looking-glasses for the pretty, and lying books for the wicked.”
A firm loud tread was now heard stamping outside; the door was opened about six inches, and somebody on the other side exclaimed—
“Neighbours, have ye got room for a few new-born lambs?”
“Ay, sure, shepherd,” said the conclave.
The door was flung back till it kicked the wall and trembled from top to bottom with the blow. Mr. Oak appeared in the entry with a steaming face, hay-bands wound about his ankles to keep out the snow, a leather strap round his waist outside the smock-frock, and looking altogether an epitome of the world’s health and vigour. Four lambs hung in various embarrassing attitudes over his shoulders, and the dog George, whom Gabriel had contrived to fetch from Norcombe, stalked solemnly behind.
“Well, Shepherd Oak, and how’s lambing this year, if I mid say it?” inquired Joseph Poorgrass.
“Terrible trying,” said Oak. “I’ve been wet through twice a-day, either in snow or rain, this last fortnight. Cainy and I haven’t tined our eyes to-night.”
“A good few twins, too, I hear?”
“Too many by half. Yes; ’tis a very queer lambing this year. We shan’t have done by Lady Day.”
“And last year ’twer all over by Sexajessamine Sunday,” Joseph remarked.
“Bring on the rest Cain,” said Gabriel, “and then run back to the ewes. I’ll follow you soon.”
Cainy Ball—a cheery-faced young lad, with a small circular orifice by way of mouth, advanced and deposited two others, and retired as he was bidden. Oak lowered the lambs from their unnatural elevation, wrapped them in hay, and placed them round the fire.
“We’ve no lambing-hut here, as I used to have at Norcombe,” said Gabriel, “and ’tis such a plague to bring the weakly ones to a house. If ’twasn’t for your place here, malter, I don’t know what I should do i’ this keen weather. And how is it with you to-day, malter?”
“Oh, neither sick nor sorry, shepherd; but no younger.”
“Ay—I understand.”
“Sit down, Shepherd Oak,” continued the ancient man of malt. “And how was the old place at Norcombe, when ye went for your dog? I should like to see the old familiar spot; but faith, I shouldn’t know a soul there now.”
“I suppose you wouldn’t. ’Tis altered very much.”
“Is it true that Dicky Hill’s wooden cider-house is pulled down?”
“Oh yes—years ago, and Dicky’s cottage just above it.”
“Well, to be sure!”
“Yes; and Tompkins’s old apple-tree is rooted that used to bear two hogsheads of cider; and no help from other trees.”
“Rooted?—you don’t say it! Ah! stirring times we live in—stirring times.”
“And you can mind the old well that used to be in the middle of the place? That’s turned into a solid iron pump with a large stone trough, and all complete.”
“Dear, dear—how the face of nations alter, and what we live to see nowadays! Yes—and ’tis the same here. They’ve been talking but now of the mis’ess’s strange doings.”
“What have you been saying about her?” inquired Oak, sharply turning to the rest, and getting very warm.
“These middle-aged men have been pulling her over the coals for pride and vanity,” said Mark Clark; “but I say, let her have rope enough. Bless her pretty face—shouldn’t I like to do so—upon her cherry lips!” The gallant Mark Clark here made a peculiar and well known sound with his own.
“Mark,” said Gabriel, sternly, “now you mind this! none of that dalliance-talk—that smack-and-coddle style of yours—about Miss Everdene. I don’t allow it. Do you hear?”
“With all my heart, as I’ve got no chance,” replied Mr. Clark, cordially.
“I suppose you’ve been speaking against her?” said Oak, turning to Joseph Poorgrass with a very grim look.
“No, no—not a word I—’tis a real joyful thing that she’s no worse, that’s what I say,” said Joseph, trembling and blushing with terror. “Matthew just said—”
“Matthew Moon, what have you been saying?” asked Oak.
“I? Why ye know I wouldn’t harm a worm—no, not one underground worm?” said Matthew Moon, looking very uneasy.
“Well, somebody has—and look here, neighbours,” Gabriel, though one of the quietest and most gentle men on earth, rose to the occasion, with martial promptness and vigour. “That’s my fist.” Here he placed his fist, rather smaller in size than a common loaf, in the mathematical centre of the maltster’s little table, and with it gave a bump or two thereon, as if to ensure that their eyes all thoroughly took in the idea of fistiness before he went further. “Now—the first man in the parish that I hear prophesying bad of our mistress, why” (here the fist was raised and let fall as Thor might have done with his hammer in assaying it)—“he’ll smell and taste that—or I’m a Dutchman.”
All earnestly expressed by their features that their minds did not wander to Holland for a moment on account of this statement, but were deploring the difference which gave rise to the figure; and Mark Clark cried “Hear, hear; just what I should ha’ said.” The dog George looked up at the same time after the shepherd’s menace, and though he understood English but imperfectly, began to growl.
“Now, don’t ye take on so, shepherd, and sit down!” said Henery, with a deprecating peacefulness equal to anything of the kind in Christianity.
“We hear that ye be a extraordinary good and clever man, shepherd,” said Joseph Poorgrass with considerable anxiety from behind the maltster’s bedstead, whither he had retired for safety. “’Tis a great thing to be clever, I’m sure,” he added, making movements associated with states of mind rather than body; “we wish we were, don’t we, neighbours?”
“Ay, that we do, sure,” said Matthew Moon, with a small anxious laugh towards Oak, to show how very friendly disposed he was likewise.
“Who’s been telling you I’m clever?” said Oak.
“’Tis blowed about from pillar to post quite common,” said Matthew. “We hear that ye can tell the time as well by the stars as we can by the sun and moon, shepherd.”
“Yes, I can do a little that way,” said Gabriel, as a man of medium sentiments on the subject.
“And that ye can make sun-dials, and prent folks’ names upon their waggons almost like copper-plate, with beautiful flourishes, and great long tails. A excellent fine thing for ye to be such a clever man, shepherd. Joseph Poorgrass used to prent to Farmer James Everdene’s waggons before you came, and ’a could never mind which way to turn the J’s and E’s—could ye, Joseph?” Joseph shook his head to express how absolute was the fact that he couldn’t. “And so you used to do ’em the wrong way, like this, didn’t ye, Joseph?” Matthew marked on the dusty floor with his whip-handle
“And how Farmer James would cuss, and call thee a fool, wouldn’t he, Joseph, when ’a seed his name looking so inside-out-like?” continued Matthew Moon with feeling.
“Ay—’a would,” said Joseph, meekly. “But, you see, I wasn’t so much to blame, for them J’s and E’s be such trying sons o’ witches for the memory to mind whether they face backward or forward; and I always had such a forgetful memory, too.”
“’Tis a very bad affliction for ye, being such a man of calamities in other ways.”
“Well, ’tis; but a happy Providence ordered that it should be no worse, and I feel my thanks. As to shepherd, there, I’m sure mis’ess ought to have made ye her baily—such a fitting man for’t as you be.”
“I don’t mind owning that I expected it,” said Oak, frankly. “Indeed, I hoped for the place. At the same time, Miss Everdene has a right to be her own baily if she choose—and to keep me down to be a common shepherd only.” Oak drew a slow breath, looked sadly into the bright ashpit, and seemed lost in thoughts not of the most hopeful hue.
The genial warmth of the fire now began to stimulate the nearly lifeless lambs to bleat and move their limbs briskly upon the hay, and to recognize for the first time the fact that they were born. Their noise increased to a chorus of baas, upon which Oak pulled the milk-can from before the fire, and taking a small tea-pot from the pocket of his smock-frock, filled it with milk, and taught those of the helpless creatures which were not to be restored to their dams how to drink from the spout—a trick they acquired with astonishing aptitude.
“And she don’t even let ye have the skins of the dead lambs, I hear?” resumed Joseph Poorgrass, his eyes lingering on the operations of Oak with the necessary melancholy.
“I don’t have them,” said Gabriel.
“Ye be very badly used, shepherd,” hazarded Joseph again, in the hope of getting Oak as an ally in lamentation after all. “I think she’s took against ye—that I do.”
“Oh no—not at all,” replied Gabriel, hastily, and a sigh escaped him, which the deprivation of lamb skins could hardly have caused.
Before any further remark had been added a shade darkened the door, and Boldwood entered the malthouse, bestowing upon each a nod of a quality between friendliness and condescension.
“Ah! Oak, I thought you were here,” he said. “I met the mail-cart ten minutes ago, and a letter was put into my hand, which I opened without reading the address. I believe it is yours. You must excuse the accident please.”
“Oh yes—not a bit of difference, Mr. Boldwood—not a bit,” said Gabriel, readily. He had not a correspondent on earth, nor was there a possible letter coming to him whose contents the whole parish would not have been welcome to peruse.
Oak stepped aside, and read the following in an unknown hand:—
DEAR FRIEND,—I do not know your name, but I think these few lines will reach you, which I wrote to thank you for your kindness to me the night I left Weatherbury in a reckless way. I also return the money I owe you, which you will excuse my not keeping as a gift. All has ended well, and I am happy to say I am going to be married to the young man who has courted me for some time—Sergeant Troy, of the 11th Dragoon Guards, now quartered in this town. He would, I know, object to my having received anything except as a loan, being a man of great respectability and high honour—indeed, a nobleman by blood. I should be much obliged to you if you would keep the contents of this letter a secret for the present, dear friend. We mean to surprise Weatherbury by coming there soon as husband and wife, though I blush to state it to one nearly a stranger. The sergeant grew up in Weatherbury. Thanking you again for your kindness,
I am, your sincere well-wisher, FANNY ROBIN.
“Have you read it, Mr. Boldwood?” said Gabriel; “if not, you had better do so. I know you are interested in Fanny Robin.”
Boldwood read the letter and looked grieved.
“Fanny—poor Fanny! the end she is so confident of has not yet come, she should remember—and may never come. I see she gives no address.”
“What sort of a man is this Sergeant Troy?” said Gabriel.
“H’m—I’m afraid not one to build much hope upon in such a case as this,” the farmer murmured, “though he’s a clever fellow, and up to everything. A slight romance attaches to him, too. His mother was a French governess, and it seems that a secret attachment existed between her and the late Lord Severn. She was married to a poor medical man, and soon after an infant was born; and while money was forthcoming all went on well. Unfortunately for her boy, his best friends died; and he got then a situation as second clerk at a lawyer’s in Casterbridge. He stayed there for some time, and might have worked himself into a dignified position of some sort had he not indulged in the wild freak of enlisting. I have much doubt if ever little Fanny will surprise us in the way she mentions—very much doubt. A silly girl!—silly girl!”
The door was hurriedly burst open again, and in came running Cainy Ball out of breath, his mouth red and open, like the bell of a penny trumpet, from which he coughed with noisy vigour and great distension of face.
“Now, Cain Ball,” said Oak, sternly, “why will you run so fast and lose your breath so? I’m always telling you of it.”
“Oh—I—a puff of mee breath—went—the—wrong way, please, Mister Oak, and made me cough—hok—hok!”
“Well—what have you come for?”
“I’ve run to tell ye,” said the junior shepherd, supporting his exhausted youthful frame against the doorpost, “that you must come directly. Two more ewes have twinned—that’s what’s the matter, Shepherd Oak.”
“Oh, that’s it,” said Oak, jumping up, and dimissing for the present his thoughts on poor Fanny. “You are a good boy to run and tell me, Cain, and you shall smell a large plum pudding some day as a treat. But, before we go, Cainy, bring the tarpot, and we’ll mark this lot and have done with ’em.”
Oak took from his illimitable pockets a marking iron, dipped it into the pot, and imprinted on the buttocks of the infant sheep the initials of her he delighted to muse on—“B. E.,” which signified to all the region round that henceforth the lambs belonged to Farmer Bathsheba Everdene, and to no one else.
“Now, Cainy, shoulder your two, and off. Good morning, Mr. Boldwood.” The shepherd lifted the sixteen large legs and four small bodies he had himself brought, and vanished with them in the direction of the lambing field hard by—their frames being now in a sleek and hopeful state, pleasantly contrasting with their death’s-door plight of half an hour before.
Boldwood followed him a little way up the field, hesitated, and turned back. He followed him again with a last resolve, annihilating return. On approaching the nook in which the fold was constructed, the farmer drew out his pocket-book, unfastened it, and allowed it to lie open on his hand. A letter was revealed—Bathsheba’s.
“I was going to ask you, Oak,” he said, with unreal carelessness, “if you know whose writing this is?”
Oak glanced into the book, and replied instantly, with a flushed face, “Miss Everdene’s.”
Oak had coloured simply at the consciousness of sounding her name. He now felt a strangely distressing qualm from a new thought. The letter could of course be no other than anonymous, or the inquiry would not have been necessary.
Boldwood mistook his confusion: sensitive persons are always ready with their “Is it I?” in preference to objective reasoning.
“The question was perfectly fair,” he returned—and there was something incongruous in the serious earnestness with which he applied himself to an argument on a valentine. “You know it is always expected that privy inquiries will be made: that’s where the—fun lies.” If the word “fun” had been “torture,” it could not have been uttered with a more constrained and restless countenance than was Boldwood’s then.
Soon parting from Gabriel, the lonely and reserved man returned to his house to breakfast—feeling twinges of shame and regret at having so far exposed his mood by those fevered questions to a stranger. He again placed the letter on the mantelpiece, and sat down to think of the circumstances attending it by the light of Gabriel’s information.
CHAPTER XVI — ALL SAINTS’ AND ALL SOULS’
On a week-day morning a small congregation, consisting mainly of women and girls, rose from its knees in the mouldy nave of a church called All Saints’, in the distant barrack-town before-mentioned, at the end of a service without a sermon. They were about to disperse, when a smart footstep, entering the porch and coming up the central passage, arrested their attention. The step echoed with a ring unusual in a church; it was the clink of spurs. Everybody looked. A young cavalry soldier in a red uniform, with the three chevrons of a sergeant upon his sleeve, strode up the aisle, with an embarrassment which was only the more marked by the intense vigour of his step, and by the determination upon his face to show none. A slight flush had mounted his cheek by the time he had run the gauntlet between these women; but, passing on through the chancel arch, he never paused till he came close to the altar railing. Here for a moment he stood alone.
The officiating curate, who had not yet doffed his surplice, perceived the new-comer, and followed him to the communion-space. He whispered to the soldier, and then beckoned to the clerk, who in his turn whispered to an elderly woman, apparently his wife, and they also went up the chancel steps.
“’Tis a wedding!” murmured some of the women, brightening. “Let’s wait!”
The majority again sat down.
There was a creaking of machinery behind, and some of the young ones turned their heads. From the interior face of the west wall of the tower projected a little canopy with a quarter-jack and small bell beneath it, the automaton being driven by the same clock machinery that struck the large bell in the tower. Between the tower and the church was a close screen, the door of which was kept shut during services, hiding this grotesque clockwork from sight. At present, however, the door was open, and the egress of the jack, the blows on the bell, and the mannikin’s retreat into the nook again, were visible to many, and audible throughout the church.
The jack had struck half-past eleven.
“Where’s the woman?” whispered some of the spectators.
The young sergeant stood still with the abnormal rigidity of the old pillars around. He faced the south-east, and was as silent as he was still.
The silence grew to be a noticeable thing as the minutes went on, and nobody else appeared, and not a soul moved. The rattle of the quarter-jack again from its niche, its blows for three-quarters, its fussy retreat, were almost painfully abrupt, and caused many of the congregation to start palpably.
“I wonder where the woman is!” a voice whispered again.
There began now that slight shifting of feet, that artificial coughing among several, which betrays a nervous suspense. At length there was a titter. But the soldier never moved. There he stood, his face to the south-east, upright as a column, his cap in his hand.
The clock ticked on. The women threw off their nervousness, and titters and giggling became more frequent. Then came a dead silence. Every one was waiting for the end. Some persons may have noticed how extraordinarily the striking of quarters seems to quicken the flight of time. It was hardly credible that the jack had not got wrong with the minutes when the rattle began again, the puppet emerged, and the four quarters were struck fitfully as before. One could almost be positive that there was a malicious leer upon the hideous creature’s face, and a mischievous delight in its twitchings. Then followed the dull and remote resonance of the twelve heavy strokes in the tower above. The women were impressed, and there was no giggle this time.
The clergyman glided into the vestry, and the clerk vanished. The sergeant had not yet turned; every woman in the church was waiting to see his face, and he appeared to know it. At last he did turn, and stalked resolutely down the nave, braving them all, with a compressed lip. Two bowed and toothless old almsmen then looked at each other and chuckled, innocently enough; but the sound had a strange weird effect in that place.
Opposite to the church was a paved square, around which several overhanging wood buildings of old time cast a picturesque shade. The young man on leaving the door went to cross the square, when, in the middle, he met a little woman. The expression of her face, which had been one of intense anxiety, sank at the sight of his nearly to terror.
“Well?” he said, in a suppressed passion, fixedly looking at her.
“Oh, Frank—I made a mistake!—I thought that church with the spire was All Saints’, and I was at the door at half-past eleven to a minute as you said. I waited till a quarter to twelve, and found then that I was in All Souls’. But I wasn’t much frightened, for I thought it could be to-morrow as well.”
“You fool, for so fooling me! But say no more.”
“Shall it be to-morrow, Frank?” she asked blankly.
“To-morrow!” and he gave vent to a hoarse laugh. “I don’t go through that experience again for some time, I warrant you!”
“But after all,” she expostulated in a trembling voice, “the mistake was not such a terrible thing! Now, dear Frank, when shall it be?”
“Ah, when? God knows!” he said, with a light irony, and turning from her walked rapidly away.
CHAPTER XVII — IN THE MARKET-PLACE
On Saturday Boldwood was in Casterbridge market house as usual, when the disturber of his dreams entered and became visible to him. Adam had awakened from his deep sleep, and behold! there was Eve. The farmer took courage, and for the first time really looked at her.
Material causes and emotional effects are not to be arranged in regular equation. The result from capital employed in the production of any movement of a mental nature is sometimes as tremendous as the cause itself is absurdly minute. When women are in a freakish mood, their usual intuition, either from carelessness or inherent defect, seemingly fails to teach them this, and hence it was that Bathsheba was fated to be astonished to-day.
Boldwood looked at her—not slily, critically, or understandingly, but blankly at gaze, in the way a reaper looks up at a passing train—as something foreign to his element, and but dimly understood. To Boldwood women had been remote phenomena rather than necessary complements—comets of such uncertain aspect, movement, and permanence, that whether their orbits were as geometrical, unchangeable, and as subject to laws as his own, or as absolutely erratic as they superficially appeared, he had not deemed it his duty to consider.
He saw her black hair, her correct facial curves and profile, and the roundness of her chin and throat. He saw then the side of her eyelids, eyes, and lashes, and the shape of her ear. Next he noticed her figure, her skirt, and the very soles of her shoes.
Boldwood thought her beautiful, but wondered whether he was right in his thought, for it seemed impossible that this romance in the flesh, if so sweet as he imagined, could have been going on long without creating a commotion of delight among men, and provoking more inquiry than Bathsheba had done, even though that was not a little. To the best of his judgement neither nature nor art could improve this perfect one of an imperfect many. His heart began to move within him. Boldwood, it must be remembered, though forty years of age, had never before inspected a woman with the very centre and force of his glance; they had struck upon all his senses at wide angles.
Was she really beautiful? He could not assure himself that his opinion was true even now. He furtively said to a neighbour, “Is Miss Everdene considered handsome?”
“Oh yes; she was a good deal noticed the first time she came, if you remember. A very handsome girl indeed.”
A man is never more credulous than in receiving favourable opinions on the beauty of a woman he is half, or quite, in love with; a mere child’s word on the point has the weight of an R.A.’s. Boldwood was satisfied now.
And this charming woman had in effect said to him, “Marry me.” Why should she have done that strange thing? Boldwood’s blindness to the difference between approving of what circumstances suggest, and originating what they do not suggest, was well matched by Bathsheba’s insensibility to the possibly great issues of little beginnings.
She was at this moment coolly dealing with a dashing young farmer, adding up accounts with him as indifferently as if his face had been the pages of a ledger. It was evident that such a nature as his had no attraction for a woman of Bathsheba’s taste. But Boldwood grew hot down to his hands with an incipient jealousy; he trod for the first time the threshold of “the injured lover’s hell.” His first impulse was to go and thrust himself between them. This could be done, but only in one way—by asking to see a sample of her corn. Boldwood renounced the idea. He could not make the request; it was debasing loveliness to ask it to buy and sell, and jarred with his conceptions of her.
All this time Bathsheba was conscious of having broken into that dignified stronghold at last. His eyes, she knew, were following her everywhere. This was a triumph; and had it come naturally, such a triumph would have been the sweeter to her for this piquing delay. But it had been brought about by misdirected ingenuity, and she valued it only as she valued an artificial flower or a wax fruit.
Being a woman with some good sense in reasoning on subjects wherein her heart was not involved, Bathsheba genuinely repented that a freak which had owed its existence as much to Liddy as to herself, should ever have been undertaken, to disturb the placidity of a man she respected too highly to deliberately tease.
She that day nearly formed the intention of begging his pardon on the very next occasion of their meeting. The worst features of this arrangement were that, if he thought she ridiculed him, an apology would increase the offence by being disbelieved; and if he thought she wanted him to woo her, it would read like additional evidence of her forwardness.