CHAPTER XXXIV — HOME AGAIN—A TRICKSTER
That same evening at dusk Gabriel was leaning over Coggan’s garden-gate, taking an up-and-down survey before retiring to rest.
A vehicle of some kind was softly creeping along the grassy margin of the lane. From it spread the tones of two women talking. The tones were natural and not at all suppressed. Oak instantly knew the voices to be those of Bathsheba and Liddy.
The carriage came opposite and passed by. It was Miss Everdene’s gig, and Liddy and her mistress were the only occupants of the seat. Liddy was asking questions about the city of Bath, and her companion was answering them listlessly and unconcernedly. Both Bathsheba and the horse seemed weary.
The exquisite relief of finding that she was here again, safe and sound, overpowered all reflection, and Oak could only luxuriate in the sense of it. All grave reports were forgotten.
He lingered and lingered on, till there was no difference between the eastern and western expanses of sky, and the timid hares began to limp courageously round the dim hillocks. Gabriel might have been there an additional half-hour when a dark form walked slowly by. “Good-night, Gabriel,” the passer said.
It was Boldwood. “Good-night, sir,” said Gabriel.
Boldwood likewise vanished up the road, and Oak shortly afterwards turned indoors to bed.
Farmer Boldwood went on towards Miss Everdene’s house. He reached the front, and approaching the entrance, saw a light in the parlour. The blind was not drawn down, and inside the room was Bathsheba, looking over some papers or letters. Her back was towards Boldwood. He went to the door, knocked, and waited with tense muscles and an aching brow.
Boldwood had not been outside his garden since his meeting with Bathsheba in the road to Yalbury. Silent and alone, he had remained in moody meditation on woman’s ways, deeming as essentials of the whole sex the accidents of the single one of their number he had ever closely beheld. By degrees a more charitable temper had pervaded him, and this was the reason of his sally to-night. He had come to apologize and beg forgiveness of Bathsheba with something like a sense of shame at his violence, having but just now learnt that she had returned—only from a visit to Liddy, as he supposed, the Bath escapade being quite unknown to him.
He inquired for Miss Everdene. Liddy’s manner was odd, but he did not notice it. She went in, leaving him standing there, and in her absence the blind of the room containing Bathsheba was pulled down. Boldwood augured ill from that sign. Liddy came out.
“My mistress cannot see you, sir,” she said.
The farmer instantly went out by the gate. He was unforgiven—that was the issue of it all. He had seen her who was to him simultaneously a delight and a torture, sitting in the room he had shared with her as a peculiarly privileged guest only a little earlier in the summer, and she had denied him an entrance there now.
Boldwood did not hurry homeward. It was ten o’clock at least, when, walking deliberately through the lower part of Weatherbury, he heard the carrier’s spring van entering the village. The van ran to and from a town in a northern direction, and it was owned and driven by a Weatherbury man, at the door of whose house it now pulled up. The lamp fixed to the head of the hood illuminated a scarlet and gilded form, who was the first to alight.
“Ah!” said Boldwood to himself, “come to see her again.”
Troy entered the carrier’s house, which had been the place of his lodging on his last visit to his native place. Boldwood was moved by a sudden determination. He hastened home. In ten minutes he was back again, and made as if he were going to call upon Troy at the carrier’s. But as he approached, some one opened the door and came out. He heard this person say “Good-night” to the inmates, and the voice was Troy’s. This was strange, coming so immediately after his arrival. Boldwood, however, hastened up to him. Troy had what appeared to be a carpet-bag in his hand—the same that he had brought with him. It seemed as if he were going to leave again this very night.
Troy turned up the hill and quickened his pace. Boldwood stepped forward.
“Sergeant Troy?”
“Yes—I’m Sergeant Troy.”
“Just arrived from up the country, I think?”
“Just arrived from Bath.”
“I am William Boldwood.”
“Indeed.”
The tone in which this word was uttered was all that had been wanted to bring Boldwood to the point.
“I wish to speak a word with you,” he said.
“What about?”
“About her who lives just ahead there—and about a woman you have wronged.”
“I wonder at your impertinence,” said Troy, moving on.
“Now look here,” said Boldwood, standing in front of him, “wonder or not, you are going to hold a conversation with me.”
Troy heard the dull determination in Boldwood’s voice, looked at his stalwart frame, then at the thick cudgel he carried in his hand. He remembered it was past ten o’clock. It seemed worth while to be civil to Boldwood.
“Very well, I’ll listen with pleasure,” said Troy, placing his bag on the ground, “only speak low, for somebody or other may overhear us in the farmhouse there.”
“Well then—I know a good deal concerning your Fanny Robin’s attachment to you. I may say, too, that I believe I am the only person in the village, excepting Gabriel Oak, who does know it. You ought to marry her.”
“I suppose I ought. Indeed, I wish to, but I cannot.”
“Why?”
Troy was about to utter something hastily; he then checked himself and said, “I am too poor.” His voice was changed. Previously it had had a devil-may-care tone. It was the voice of a trickster now.
Boldwood’s present mood was not critical enough to notice tones. He continued, “I may as well speak plainly; and understand, I don’t wish to enter into the questions of right or wrong, woman’s honour and shame, or to express any opinion on your conduct. I intend a business transaction with you.”
“I see,” said Troy. “Suppose we sit down here.”
An old tree trunk lay under the hedge immediately opposite, and they sat down.
“I was engaged to be married to Miss Everdene,” said Boldwood, “but you came and—”
“Not engaged,” said Troy.
“As good as engaged.”
“If I had not turned up she might have become engaged to you.”
“Hang might!”
“Would, then.”
“If you had not come I should certainly—yes, _certainly_—have been accepted by this time. If you had not seen her you might have been married to Fanny. Well, there’s too much difference between Miss Everdene’s station and your own for this flirtation with her ever to benefit you by ending in marriage. So all I ask is, don’t molest her any more. Marry Fanny. I’ll make it worth your while.”
“How will you?”
“I’ll pay you well now, I’ll settle a sum of money upon her, and I’ll see that you don’t suffer from poverty in the future. I’ll put it clearly. Bathsheba is only playing with you: you are too poor for her as I said; so give up wasting your time about a great match you’ll never make for a moderate and rightful match you may make to-morrow; take up your carpet-bag, turn about, leave Weatherbury now, this night, and you shall take fifty pounds with you. Fanny shall have fifty to enable her to prepare for the wedding, when you have told me where she is living, and she shall have five hundred paid down on her wedding-day.”
In making this statement Boldwood’s voice revealed only too clearly a consciousness of the weakness of his position, his aims, and his method. His manner had lapsed quite from that of the firm and dignified Boldwood of former times; and such a scheme as he had now engaged in he would have condemned as childishly imbecile only a few months ago. We discern a grand force in the lover which he lacks whilst a free man; but there is a breadth of vision in the free man which in the lover we vainly seek. Where there is much bias there must be some narrowness, and love, though added emotion, is subtracted capacity. Boldwood exemplified this to an abnormal degree: he knew nothing of Fanny Robin’s circumstances or whereabouts, he knew nothing of Troy’s possibilities, yet that was what he said.
“I like Fanny best,” said Troy; “and if, as you say, Miss Everdene is out of my reach, why I have all to gain by accepting your money, and marrying Fan. But she’s only a servant.”
“Never mind—do you agree to my arrangement?”
“I do.”
“Ah!” said Boldwood, in a more elastic voice. “Oh, Troy, if you like her best, why then did you step in here and injure my happiness?”
“I love Fanny best now,” said Troy. “But Bathsh—Miss Everdene inflamed me, and displaced Fanny for a time. It is over now.”
“Why should it be over so soon? And why then did you come here again?”
“There are weighty reasons. Fifty pounds at once, you said!”
“I did,” said Boldwood, “and here they are—fifty sovereigns.” He handed Troy a small packet.
“You have everything ready—it seems that you calculated on my accepting them,” said the sergeant, taking the packet.
“I thought you might accept them,” said Boldwood.
“You’ve only my word that the programme shall be adhered to, whilst I at any rate have fifty pounds.”
“I had thought of that, and I have considered that if I can’t appeal to your honour I can trust to your—well, shrewdness we’ll call it—not to lose five hundred pounds in prospect, and also make a bitter enemy of a man who is willing to be an extremely useful friend.”
“Stop, listen!” said Troy in a whisper.
A light pit-pat was audible upon the road just above them.
“By George—’tis she,” he continued. “I must go on and meet her.”
“She—who?”
“Bathsheba.”
“Bathsheba—out alone at this time o’ night!” said Boldwood in amazement, and starting up. “Why must you meet her?”
“She was expecting me to-night—and I must now speak to her, and wish her good-bye, according to your wish.”
“I don’t see the necessity of speaking.”
“It can do no harm—and she’ll be wandering about looking for me if I don’t. You shall hear all I say to her. It will help you in your love-making when I am gone.”
“Your tone is mocking.”
“Oh no. And remember this, if she does not know what has become of me, she will think more about me than if I tell her flatly I have come to give her up.”
“Will you confine your words to that one point?—Shall I hear every word you say?”
“Every word. Now sit still there, and hold my carpet bag for me, and mark what you hear.”
The light footstep came closer, halting occasionally, as if the walker listened for a sound. Troy whistled a double note in a soft, fluty tone.
“Come to that, is it!” murmured Boldwood, uneasily.
“You promised silence,” said Troy.
“I promise again.”
Troy stepped forward.
“Frank, dearest, is that you?” The tones were Bathsheba’s.
“O God!” said Boldwood.
“Yes,” said Troy to her.
“How late you are,” she continued, tenderly. “Did you come by the carrier? I listened and heard his wheels entering the village, but it was some time ago, and I had almost given you up, Frank.”
“I was sure to come,” said Frank. “You knew I should, did you not?”
“Well, I thought you would,” she said, playfully; “and, Frank, it is so lucky! There’s not a soul in my house but me to-night. I’ve packed them all off so nobody on earth will know of your visit to your lady’s bower. Liddy wanted to go to her grandfather’s to tell him about her holiday, and I said she might stay with them till to-morrow—when you’ll be gone again.”
“Capital,” said Troy. “But, dear me, I had better go back for my bag, because my slippers and brush and comb are in it; you run home whilst I fetch it, and I’ll promise to be in your parlour in ten minutes.”
“Yes.” She turned and tripped up the hill again.
During the progress of this dialogue there was a nervous twitching of Boldwood’s tightly closed lips, and his face became bathed in a clammy dew. He now started forward towards Troy. Troy turned to him and took up the bag.
“Shall I tell her I have come to give her up and cannot marry her?” said the soldier, mockingly.
“No, no; wait a minute. I want to say more to you—more to you!” said Boldwood, in a hoarse whisper.
“Now,” said Troy, “you see my dilemma. Perhaps I am a bad man—the victim of my impulses—led away to do what I ought to leave undone. I can’t, however, marry them both. And I have two reasons for choosing Fanny. First, I like her best upon the whole, and second, you make it worth my while.”
At the same instant Boldwood sprang upon him, and held him by the neck. Troy felt Boldwood’s grasp slowly tightening. The move was absolutely unexpected.
“A moment,” he gasped. “You are injuring her you love!”
“Well, what do you mean?” said the farmer.
“Give me breath,” said Troy.
Boldwood loosened his hand, saying, “By Heaven, I’ve a mind to kill you!”
“And ruin her.”
“Save her.”
“Oh, how can she be saved now, unless I marry her?”
Boldwood groaned. He reluctantly released the soldier, and flung him back against the hedge. “Devil, you torture me!” said he.
Troy rebounded like a ball, and was about to make a dash at the farmer; but he checked himself, saying lightly—
“It is not worth while to measure my strength with you. Indeed it is a barbarous way of settling a quarrel. I shall shortly leave the army because of the same conviction. Now after that revelation of how the land lies with Bathsheba, ’twould be a mistake to kill me, would it not?”
“’Twould be a mistake to kill you,” repeated Boldwood, mechanically, with a bowed head.
“Better kill yourself.”
“Far better.”
“I’m glad you see it.”
“Troy, make her your wife, and don’t act upon what I arranged just now. The alternative is dreadful, but take Bathsheba; I give her up! She must love you indeed to sell soul and body to you so utterly as she has done. Wretched woman—deluded woman—you are, Bathsheba!”
“But about Fanny?”
“Bathsheba is a woman well to do,” continued Boldwood, in nervous anxiety, “and, Troy, she will make a good wife; and, indeed, she is worth your hastening on your marriage with her!”
“But she has a will—not to say a temper, and I shall be a mere slave to her. I could do anything with poor Fanny Robin.”
“Troy,” said Boldwood, imploringly, “I’ll do anything for you, only don’t desert her; pray don’t desert her, Troy.”
“Which, poor Fanny?”
“No; Bathsheba Everdene. Love her best! Love her tenderly! How shall I get you to see how advantageous it will be to you to secure her at once?”
“I don’t wish to secure her in any new way.”
Boldwood’s arm moved spasmodically towards Troy’s person again. He repressed the instinct, and his form drooped as with pain.
Troy went on—
“I shall soon purchase my discharge, and then—”
“But I wish you to hasten on this marriage! It will be better for you both. You love each other, and you must let me help you to do it.”
“How?”
“Why, by settling the five hundred on Bathsheba instead of Fanny, to enable you to marry at once. No; she wouldn’t have it of me. I’ll pay it down to you on the wedding-day.”
Troy paused in secret amazement at Boldwood’s wild infatuation. He carelessly said, “And am I to have anything now?”
“Yes, if you wish to. But I have not much additional money with me. I did not expect this; but all I have is yours.”
Boldwood, more like a somnambulist than a wakeful man, pulled out the large canvas bag he carried by way of a purse, and searched it.
“I have twenty-one pounds more with me,” he said. “Two notes and a sovereign. But before I leave you I must have a paper signed—”
“Pay me the money, and we’ll go straight to her parlour, and make any arrangement you please to secure my compliance with your wishes. But she must know nothing of this cash business.”
“Nothing, nothing,” said Boldwood, hastily. “Here is the sum, and if you’ll come to my house we’ll write out the agreement for the remainder, and the terms also.”
“First we’ll call upon her.”
“But why? Come with me to-night, and go with me to-morrow to the surrogate’s.”
“But she must be consulted; at any rate informed.”
“Very well; go on.”
They went up the hill to Bathsheba’s house. When they stood at the entrance, Troy said, “Wait here a moment.” Opening the door, he glided inside, leaving the door ajar.
Boldwood waited. In two minutes a light appeared in the passage. Boldwood then saw that the chain had been fastened across the door. Troy appeared inside, carrying a bedroom candlestick.
“What, did you think I should break in?” said Boldwood, contemptuously.
“Oh, no, it is merely my humour to secure things. Will you read this a moment? I’ll hold the light.”
Troy handed a folded newspaper through the slit between door and doorpost, and put the candle close. “That’s the paragraph,” he said, placing his finger on a line.
Boldwood looked and read—
MARRIAGES. On the 17th inst., at St. Ambrose’s Church, Bath, by the Rev. G. Mincing, B.A., Francis Troy, only son of the late Edward Troy, Esq., M.D., of Weatherbury, and sergeant with Dragoon Guards, to Bathsheba, only surviving daughter of the late Mr. John Everdene, of Casterbridge.
“This may be called Fort meeting Feeble, hey, Boldwood?” said Troy. A low gurgle of derisive laughter followed the words.
The paper fell from Boldwood’s hands. Troy continued—
“Fifty pounds to marry Fanny. Good. Twenty-one pounds not to marry Fanny, but Bathsheba. Good. Finale: already Bathsheba’s husband. Now, Boldwood, yours is the ridiculous fate which always attends interference between a man and his wife. And another word. Bad as I am, I am not such a villain as to make the marriage or misery of any woman a matter of huckster and sale. Fanny has long ago left me. I don’t know where she is. I have searched everywhere. Another word yet. You say you love Bathsheba; yet on the merest apparent evidence you instantly believe in her dishonour. A fig for such love! Now that I’ve taught you a lesson, take your money back again.”
“I will not; I will not!” said Boldwood, in a hiss.
“Anyhow I won’t have it,” said Troy, contemptuously. He wrapped the packet of gold in the notes, and threw the whole into the road.
Boldwood shook his clenched fist at him. “You juggler of Satan! You black hound! But I’ll punish you yet; mark me, I’ll punish you yet!”
Another peal of laughter. Troy then closed the door, and locked himself in.
Throughout the whole of that night Boldwood’s dark form might have been seen walking about the hills and downs of Weatherbury like an unhappy Shade in the Mournful Fields by Acheron.
CHAPTER XXXV — AT AN UPPER WINDOW
It was very early the next morning—a time of sun and dew. The confused beginnings of many birds’ songs spread into the healthy air, and the wan blue of the heaven was here and there coated with thin webs of incorporeal cloud which were of no effect in obscuring day. All the lights in the scene were yellow as to colour, and all the shadows were attenuated as to form. The creeping plants about the old manor-house were bowed with rows of heavy water drops, which had upon objects behind them the effect of minute lenses of high magnifying power.
Just before the clock struck five Gabriel Oak and Coggan passed the village cross, and went on together to the fields. They were yet barely in view of their mistress’s house, when Oak fancied he saw the opening of a casement in one of the upper windows. The two men were at this moment partially screened by an elder bush, now beginning to be enriched with black bunches of fruit, and they paused before emerging from its shade.
A handsome man leaned idly from the lattice. He looked east and then west, in the manner of one who makes a first morning survey. The man was Sergeant Troy. His red jacket was loosely thrown on, but not buttoned, and he had altogether the relaxed bearing of a soldier taking his ease.
Coggan spoke first, looking quietly at the window.
“She has married him!” he said.
Gabriel had previously beheld the sight, and he now stood with his back turned, making no reply.
“I fancied we should know something to-day,” continued Coggan. “I heard wheels pass my door just after dark—you were out somewhere.” He glanced round upon Gabriel. “Good heavens above us, Oak, how white your face is; you look like a corpse!”
“Do I?” said Oak, with a faint smile.
“Lean on the gate: I’ll wait a bit.”
“All right, all right.”
They stood by the gate awhile, Gabriel listlessly staring at the ground. His mind sped into the future, and saw there enacted in years of leisure the scenes of repentance that would ensue from this work of haste. That they were married he had instantly decided. Why had it been so mysteriously managed? It had become known that she had had a fearful journey to Bath, owing to her miscalculating the distance: that the horse had broken down, and that she had been more than two days getting there. It was not Bathsheba’s way to do things furtively. With all her faults, she was candour itself. Could she have been entrapped? The union was not only an unutterable grief to him: it amazed him, notwithstanding that he had passed the preceding week in a suspicion that such might be the issue of Troy’s meeting her away from home. Her quiet return with Liddy had to some extent dispersed the dread. Just as that imperceptible motion which appears like stillness is infinitely divided in its properties from stillness itself, so had his hope undistinguishable from despair differed from despair indeed.
In a few minutes they moved on again towards the house. The sergeant still looked from the window.
“Morning, comrades!” he shouted, in a cheery voice, when they came up.
Coggan replied to the greeting. “Bain’t ye going to answer the man?” he then said to Gabriel. “I’d say good morning—you needn’t spend a hapenny of meaning upon it, and yet keep the man civil.”
Gabriel soon decided too that, since the deed was done, to put the best face upon the matter would be the greatest kindness to her he loved.
“Good morning, Sergeant Troy,” he returned, in a ghastly voice.
“A rambling, gloomy house this,” said Troy, smiling.
“Why—they _may_ not be married!” suggested Coggan. “Perhaps she’s not there.”
Gabriel shook his head. The soldier turned a little towards the east, and the sun kindled his scarlet coat to an orange glow.
“But it is a nice old house,” responded Gabriel.
“Yes—I suppose so; but I feel like new wine in an old bottle here. My notion is that sash-windows should be put throughout, and these old wainscoted walls brightened up a bit; or the oak cleared quite away, and the walls papered.”
“It would be a pity, I think.”
“Well, no. A philosopher once said in my hearing that the old builders, who worked when art was a living thing, had no respect for the work of builders who went before them, but pulled down and altered as they thought fit; and why shouldn’t we? ‘Creation and preservation don’t do well together,’ says he, ‘and a million of antiquarians can’t invent a style.’ My mind exactly. I am for making this place more modern, that we may be cheerful whilst we can.”
The military man turned and surveyed the interior of the room, to assist his ideas of improvement in this direction. Gabriel and Coggan began to move on.
“Oh, Coggan,” said Troy, as if inspired by a recollection “do you know if insanity has ever appeared in Mr. Boldwood’s family?”
Jan reflected for a moment.
“I once heard that an uncle of his was queer in his head, but I don’t know the rights o’t,” he said.
“It is of no importance,” said Troy, lightly. “Well, I shall be down in the fields with you some time this week; but I have a few matters to attend to first. So good-day to you. We shall, of course, keep on just as friendly terms as usual. I’m not a proud man: nobody is ever able to say that of Sergeant Troy. However, what is must be, and here’s half-a-crown to drink my health, men.”
Troy threw the coin dexterously across the front plot and over the fence towards Gabriel, who shunned it in its fall, his face turning to an angry red. Coggan twirled his eye, edged forward, and caught the money in its ricochet upon the road.
“Very well—you keep it, Coggan,” said Gabriel with disdain and almost fiercely. “As for me, I’ll do without gifts from him!”
“Don’t show it too much,” said Coggan, musingly. “For if he’s married to her, mark my words, he’ll buy his discharge and be our master here. Therefore ’tis well to say ‘Friend’ outwardly, though you say ‘Troublehouse’ within.”
“Well—perhaps it is best to be silent; but I can’t go further than that. I can’t flatter, and if my place here is only to be kept by smoothing him down, my place must be lost.”
A horseman, whom they had for some time seen in the distance, now appeared close beside them.
“There’s Mr. Boldwood,” said Oak. “I wonder what Troy meant by his question.”
Coggan and Oak nodded respectfully to the farmer, just checked their paces to discover if they were wanted, and finding they were not stood back to let him pass on.
The only signs of the terrible sorrow Boldwood had been combating through the night, and was combating now, were the want of colour in his well-defined face, the enlarged appearance of the veins in his forehead and temples, and the sharper lines about his mouth. The horse bore him away, and the very step of the animal seemed significant of dogged despair. Gabriel, for a minute, rose above his own grief in noticing Boldwood’s. He saw the square figure sitting erect upon the horse, the head turned to neither side, the elbows steady by the hips, the brim of the hat level and undisturbed in its onward glide, until the keen edges of Boldwood’s shape sank by degrees over the hill. To one who knew the man and his story there was something more striking in this immobility than in a collapse. The clash of discord between mood and matter here was forced painfully home to the heart; and, as in laughter there are more dreadful phases than in tears, so was there in the steadiness of this agonized man an expression deeper than a cry.
CHAPTER XXXVI — WEALTH IN JEOPARDY—THE REVEL
One night, at the end of August, when Bathsheba’s experiences as a married woman were still new, and when the weather was yet dry and sultry, a man stood motionless in the stockyard of Weatherbury Upper Farm, looking at the moon and sky.
The night had a sinister aspect. A heated breeze from the south slowly fanned the summits of lofty objects, and in the sky dashes of buoyant cloud were sailing in a course at right angles to that of another stratum, neither of them in the direction of the breeze below. The moon, as seen through these films, had a lurid metallic look. The fields were sallow with the impure light, and all were tinged in monochrome, as if beheld through stained glass. The same evening the sheep had trailed homeward head to tail, the behaviour of the rooks had been confused, and the horses had moved with timidity and caution.
Thunder was imminent, and, taking some secondary appearances into consideration, it was likely to be followed by one of the lengthened rains which mark the close of dry weather for the season. Before twelve hours had passed a harvest atmosphere would be a bygone thing.
Oak gazed with misgiving at eight naked and unprotected ricks, massive and heavy with the rich produce of one-half the farm for that year. He went on to the barn.
This was the night which had been selected by Sergeant Troy—ruling now in the room of his wife—for giving the harvest supper and dance. As Oak approached the building the sound of violins and a tambourine, and the regular jigging of many feet, grew more distinct. He came close to the large doors, one of which stood slightly ajar, and looked in.
The central space, together with the recess at one end, was emptied of all incumbrances, and this area, covering about two-thirds of the whole, was appropriated for the gathering, the remaining end, which was piled to the ceiling with oats, being screened off with sail-cloth. Tufts and garlands of green foliage decorated the walls, beams, and extemporized chandeliers, and immediately opposite to Oak a rostrum had been erected, bearing a table and chairs. Here sat three fiddlers, and beside them stood a frantic man with his hair on end, perspiration streaming down his cheeks, and a tambourine quivering in his hand.
The dance ended, and on the black oak floor in the midst a new row of couples formed for another.
“Now, ma’am, and no offence I hope, I ask what dance you would like next?” said the first violin.
“Really, it makes no difference,” said the clear voice of Bathsheba, who stood at the inner end of the building, observing the scene from behind a table covered with cups and viands. Troy was lolling beside her.
“Then,” said the fiddler, “I’ll venture to name that the right and proper thing is ‘The Soldier’s Joy’—there being a gallant soldier married into the farm—hey, my sonnies, and gentlemen all?”
“It shall be ‘The Soldier’s Joy,’” exclaimed a chorus.
“Thanks for the compliment,” said the sergeant gaily, taking Bathsheba by the hand and leading her to the top of the dance. “For though I have purchased my discharge from Her Most Gracious Majesty’s regiment of cavalry the 11th Dragoon Guards, to attend to the new duties awaiting me here, I shall continue a soldier in spirit and feeling as long as I live.”
So the dance began. As to the merits of “The Soldier’s Joy,” there cannot be, and never were, two opinions. It has been observed in the musical circles of Weatherbury and its vicinity that this melody, at the end of three-quarters of an hour of thunderous footing, still possesses more stimulative properties for the heel and toe than the majority of other dances at their first opening. “The Soldier’s Joy” has, too, an additional charm, in being so admirably adapted to the tambourine aforesaid—no mean instrument in the hands of a performer who understands the proper convulsions, spasms, St. Vitus’s dances, and fearful frenzies necessary when exhibiting its tones in their highest perfection.
The immortal tune ended, a fine DD rolling forth from the bass-viol with the sonorousness of a cannonade, and Gabriel delayed his entry no longer. He avoided Bathsheba, and got as near as possible to the platform, where Sergeant Troy was now seated, drinking brandy-and-water, though the others drank without exception cider and ale. Gabriel could not easily thrust himself within speaking distance of the sergeant, and he sent a message, asking him to come down for a moment. The sergeant said he could not attend.
“Will you tell him, then,” said Gabriel, “that I only stepped ath’art to say that a heavy rain is sure to fall soon, and that something should be done to protect the ricks?”
“Mr. Troy says it will not rain,” returned the messenger, “and he cannot stop to talk to you about such fidgets.”
In juxtaposition with Troy, Oak had a melancholy tendency to look like a candle beside gas, and ill at ease, he went out again, thinking he would go home; for, under the circumstances, he had no heart for the scene in the barn. At the door he paused for a moment: Troy was speaking.
“Friends, it is not only the harvest home that we are celebrating to-night; but this is also a Wedding Feast. A short time ago I had the happiness to lead to the altar this lady, your mistress, and not until now have we been able to give any public flourish to the event in Weatherbury. That it may be thoroughly well done, and that every man may go happy to bed, I have ordered to be brought here some bottles of brandy and kettles of hot water. A treble-strong goblet will be handed round to each guest.”
Bathsheba put her hand upon his arm, and, with upturned pale face, said imploringly, “No—don’t give it to them—pray don’t, Frank! It will only do them harm: they have had enough of everything.”
“True—we don’t wish for no more, thank ye,” said one or two.
“Pooh!” said the sergeant contemptuously, and raised his voice as if lighted up by a new idea. “Friends,” he said, “we’ll send the women-folk home! ’Tis time they were in bed. Then we cockbirds will have a jolly carouse to ourselves! If any of the men show the white feather, let them look elsewhere for a winter’s work.”
Bathsheba indignantly left the barn, followed by all the women and children. The musicians, not looking upon themselves as “company,” slipped quietly away to their spring waggon and put in the horse. Thus Troy and the men on the farm were left sole occupants of the place. Oak, not to appear unnecessarily disagreeable, stayed a little while; then he, too, arose and quietly took his departure, followed by a friendly oath from the sergeant for not staying to a second round of grog.
Gabriel proceeded towards his home. In approaching the door, his toe kicked something which felt and sounded soft, leathery, and distended, like a boxing-glove. It was a large toad humbly travelling across the path. Oak took it up, thinking it might be better to kill the creature to save it from pain; but finding it uninjured, he placed it again among the grass. He knew what this direct message from the Great Mother meant. And soon came another.
When he struck a light indoors there appeared upon the table a thin glistening streak, as if a brush of varnish had been lightly dragged across it. Oak’s eyes followed the serpentine sheen to the other side, where it led up to a huge brown garden-slug, which had come indoors to-night for reasons of its own. It was Nature’s second way of hinting to him that he was to prepare for foul weather.
Oak sat down meditating for nearly an hour. During this time two black spiders, of the kind common in thatched houses, promenaded the ceiling, ultimately dropping to the floor. This reminded him that if there was one class of manifestation on this matter that he thoroughly understood, it was the instincts of sheep. He left the room, ran across two or three fields towards the flock, got upon a hedge, and looked over among them.
They were crowded close together on the other side around some furze bushes, and the first peculiarity observable was that, on the sudden appearance of Oak’s head over the fence, they did not stir or run away. They had now a terror of something greater than their terror of man. But this was not the most noteworthy feature: they were all grouped in such a way that their tails, without a single exception, were towards that half of the horizon from which the storm threatened. There was an inner circle closely huddled, and outside these they radiated wider apart, the pattern formed by the flock as a whole not being unlike a vandyked lace collar, to which the clump of furze-bushes stood in the position of a wearer’s neck.
This was enough to re-establish him in his original opinion. He knew now that he was right, and that Troy was wrong. Every voice in nature was unanimous in bespeaking change. But two distinct translations attached to these dumb expressions. Apparently there was to be a thunder-storm, and afterwards a cold continuous rain. The creeping things seemed to know all about the later rain, but little of the interpolated thunder-storm; whilst the sheep knew all about the thunder-storm and nothing of the later rain.
This complication of weathers being uncommon, was all the more to be feared. Oak returned to the stack-yard. All was silent here, and the conical tips of the ricks jutted darkly into the sky. There were five wheat-ricks in this yard, and three stacks of barley. The wheat when threshed would average about thirty quarters to each stack; the barley, at least forty. Their value to Bathsheba, and indeed to anybody, Oak mentally estimated by the following simple calculation:—
5 × 30 = 150 quarters = 500 £. 3 × 40 = 120 quarters = 250 £. –––– Total . . 750 £.
Seven hundred and fifty pounds in the divinest form that money can wear—that of necessary food for man and beast: should the risk be run of deteriorating this bulk of corn to less than half its value, because of the instability of a woman? “Never, if I can prevent it!” said Gabriel.
Such was the argument that Oak set outwardly before him. But man, even to himself, is a palimpsest, having an ostensible writing, and another beneath the lines. It is possible that there was this golden legend under the utilitarian one: “I will help to my last effort the woman I have loved so dearly.”
He went back to the barn to endeavour to obtain assistance for covering the ricks that very night. All was silent within, and he would have passed on in the belief that the party had broken up, had not a dim light, yellow as saffron by contrast with the greenish whiteness outside, streamed through a knot-hole in the folding doors.
Gabriel looked in. An unusual picture met his eye.
The candles suspended among the evergreens had burnt down to their sockets, and in some cases the leaves tied about them were scorched. Many of the lights had quite gone out, others smoked and stank, grease dropping from them upon the floor. Here, under the table, and leaning against forms and chairs in every conceivable attitude except the perpendicular, were the wretched persons of all the work-folk, the hair of their heads at such low levels being suggestive of mops and brooms. In the midst of these shone red and distinct the figure of Sergeant Troy, leaning back in a chair. Coggan was on his back, with his mouth open, huzzing forth snores, as were several others; the united breathings of the horizonal assemblage forming a subdued roar like London from a distance. Joseph Poorgrass was curled round in the fashion of a hedge-hog, apparently in attempts to present the least possible portion of his surface to the air; and behind him was dimly visible an unimportant remnant of William Smallbury. The glasses and cups still stood upon the table, a water-jug being overturned, from which a small rill, after tracing its course with marvellous precision down the centre of the long table, fell into the neck of the unconscious Mark Clark, in a steady, monotonous drip, like the dripping of a stalactite in a cave.
Gabriel glanced hopelessly at the group, which, with one or two exceptions, composed all the able-bodied men upon the farm. He saw at once that if the ricks were to be saved that night, or even the next morning, he must save them with his own hands.
A faint “ting-ting” resounded from under Coggan’s waistcoat. It was Coggan’s watch striking the hour of two.
Oak went to the recumbent form of Matthew Moon, who usually undertook the rough thatching of the home-stead, and shook him. The shaking was without effect.
Gabriel shouted in his ear, “where’s your thatching-beetle and rick-stick and spars?”
“Under the staddles,” said Moon, mechanically, with the unconscious promptness of a medium.
Gabriel let go his head, and it dropped upon the floor like a bowl. He then went to Susan Tall’s husband.
“Where’s the key of the granary?”
No answer. The question was repeated, with the same result. To be shouted to at night was evidently less of a novelty to Susan Tall’s husband than to Matthew Moon. Oak flung down Tall’s head into the corner again and turned away.
To be just, the men were not greatly to blame for this painful and demoralizing termination to the evening’s entertainment. Sergeant Troy had so strenuously insisted, glass in hand, that drinking should be the bond of their union, that those who wished to refuse hardly liked to be so unmannerly under the circumstances. Having from their youth up been entirely unaccustomed to any liquor stronger than cider or mild ale, it was no wonder that they had succumbed, one and all, with extraordinary uniformity, after the lapse of about an hour.
Gabriel was greatly depressed. This debauch boded ill for that wilful and fascinating mistress whom the faithful man even now felt within him as the embodiment of all that was sweet and bright and hopeless.
He put out the expiring lights, that the barn might not be endangered, closed the door upon the men in their deep and oblivious sleep, and went again into the lone night. A hot breeze, as if breathed from the parted lips of some dragon about to swallow the globe, fanned him from the south, while directly opposite in the north rose a grim misshapen body of cloud, in the very teeth of the wind. So unnaturally did it rise that one could fancy it to be lifted by machinery from below. Meanwhile the faint cloudlets had flown back into the south-east corner of the sky, as if in terror of the large cloud, like a young brood gazed in upon by some monster.
Going on to the village, Oak flung a small stone against the window of Laban Tall’s bedroom, expecting Susan to open it; but nobody stirred. He went round to the back door, which had been left unfastened for Laban’s entry, and passed in to the foot of the staircase.
“Mrs. Tall, I’ve come for the key of the granary, to get at the rick-cloths,” said Oak, in a stentorian voice.
“Is that you?” said Mrs. Susan Tall, half awake.
“Yes,” said Gabriel.
“Come along to bed, do, you drawlatching rogue—keeping a body awake like this!”
“It isn’t Laban—’tis Gabriel Oak. I want the key of the granary.”
“Gabriel! What in the name of fortune did you pretend to be Laban for?”
“I didn’t. I thought you meant—”
“Yes you did! What do you want here?”
“The key of the granary.”
“Take it then. ’Tis on the nail. People coming disturbing women at this time of night ought—”
Gabriel took the key, without waiting to hear the conclusion of the tirade. Ten minutes later his lonely figure might have been seen dragging four large water-proof coverings across the yard, and soon two of these heaps of treasure in grain were covered snug—two cloths to each. Two hundred pounds were secured. Three wheat-stacks remained open, and there were no more cloths. Oak looked under the staddles and found a fork. He mounted the third pile of wealth and began operating, adopting the plan of sloping the upper sheaves one over the other; and, in addition, filling the interstices with the material of some untied sheaves.
So far all was well. By this hurried contrivance Bathsheba’s property in wheat was safe for at any rate a week or two, provided always that there was not much wind.
Next came the barley. This it was only possible to protect by systematic thatching. Time went on, and the moon vanished not to reappear. It was the farewell of the ambassador previous to war. The night had a haggard look, like a sick thing; and there came finally an utter expiration of air from the whole heaven in the form of a slow breeze, which might have been likened to a death. And now nothing was heard in the yard but the dull thuds of the beetle which drove in the spars, and the rustle of thatch in the intervals.